SWEEP PICKING PERFECTION SWEEP PICKING PERFECTION MANUAL | Seite 28

A-Minor & B-Diminished Arpeggio Example
In this example I use two arpeggios together. I made a mistake in the video! The slow version is different from the
fast version, so I created a tablature that showed them both. For some reason playing chromatic runs fits very
well within the sound of the diminished triad. How can you use that little idea in other places?
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