SUP Mag UK June 2019 issue 21 | Page 16

Powering Up, using the paddle like the third leg of a tripod, not only adds to stability, but combines this with speed and drive. Hangetsu Dachi), that I use when boofing drops and holes, without that momentary instability that comes from stepping back out of a sideways flat stance. The closer your feet are to the centreline, the less initial ‘planted’ stability you feel like you have, but this translates to the board having a hard time adversely moving your body around and off the centreline. Your feet do not lift (or drop) as far, and as such your body shift off centre is reduced, applying less force to the lower foot, and this force having less power due to a smaller moment arm. The lower the volume of my board, and narrower the board, so the closer my feet get. On my tiny 25-inch wide, 88-litre surf SUP, I stand almost on the centreline, toes to heel, shifting the Sanchi Dachi (kung fu) to a stance called Neko Ashi Dachi. People can walk on slacklines because their core rarely gets off centre (relative to their feet or the line itself). As soon as you master these stances, you suddenly realize that excessive board width is not only unnecessary, but a hindrance. Stance stagger Knees, ankle and waist bend I call this the ‘Kung Fu’ stance (because it sounds cool). I studied karate for years, and quickly adopted three basic karate stances into my SUP paddling. A large part of stability comes from absorbing the board’s movement. Think of a motocross rider firing across a series of Whoops (a series of smaller moguls or hills in succession), standing on the pegs. The wheels are hammering up and down, but the riders upper body barely moves, absorbing everything with the suspension and legs. Skiers use the same technique in moguls. Standing with your feet parallel makes it near to impossible to regain balance if the nose or tail of the board is suddenly lifted or lowered (pitch), or you suddenly accelerate or decelerate. In an ideal world, no matter what the board is doing underneath you, no matter how much its bucking and weaving, everything from the waist up should be completely still. Shifting one foot back so the toes of the back foot align with the heel of the front foot, right at about shoulder width, gives you the best ‘all around’ standing position (in karate it’s called Sanchin Dachi). This is accomplished by combining the staggered stances, with a very liberal amount of knee and ankle bending, each leg moving independently, so that it’s moving up and down just enough to absorb the boards movement, while keeping your upper body still. The advantage of this is that it allows you to shift your crotch forward or back, as needed, to keep your centre of gravity over the centreline, without bending at the waist (a big no no). This stance is effectively the same as a flat stance when it comes to comfort over long periods of paddling, while giving you this fine-tune stability adjustment. What you don’t want to do is attempt to absorb these board movements through waist bending. First of all, it’s too slow. You just cannot lower and raise your chest by It also allows you to step back into a longer more ‘defensive’ stance (in karate called You cannot even begin to tackle multiple drop rapids until you have mastered stability. If you fall on the first drop, you’re swimming the second one and that’s no fun at all s t a n d u p p a d d l e m a g u k 16