possibility of exchange made available by interactivity. The space of the MATA so became a potential appendix of the visitor’s virtual life. The subtitle “Relazioni disarmoniche” referred to the direct relationship between the viewer and the fruition of the artwork. The interpretation of an artwork is not always the result of a coherent set of data and sensible perceptions but more often it is rather a cluster of contradictory and conflicting meanings. To understand an artist’s work, one has to identify the relations between it and each of its components.