St Oswald's Magazine StOM 1505 | Page 7

explore the various layouts of the medieval churches preceding the 14th century version of St George’s which was destroyed in 1945. That was – and now is again- a basilica with three isles The layout of previous churches is now marked in the paving stones of the floor. There had been a tower to the previous churches, but during the building of the last version the money must have run out- it was said that it coincided with the decline of the Hansa. Now there is only a ridge turret, but the ornamental gable of the southern transept has been restored with its coloured tiles, which is the special feature of this building. Inside some of the original wall paintings were preserved, like a Jesse Tree and floral paintings. The church is now open to visitors, although there are still some builders at work. The High Altar with many carved figures survived the destruction to some extend; it had been placed into a side chapel of St Nicolai, since that church had survived. I remember that nationwide calls went out to sponsor the restoration of individual figures. It will soon return to its place in St George’s, once the restoration is complete. never escaped to his land of dreams because he realised that it would have serious consequences for his employer if he returned without him. But the vicar of St George, who from his study had looked out on to the great wall of bricks of the transept, expecting ‘the writing on the wall’, he shot the Nazi who came to arrest him for the ‘theft’ of the statue, and was shot himself. The novel ends with him seeing that ‘fiery writing’ on the great brick wall, which again towers above the house next door. It made you think of the brick buildings of Babylon. The name of the vicar was ‘Helander’, which is a version of the German word ‘Heiland’ for the Saviour. BW It is truly a miracle, that 70 years after the destruction this great church has been recreated and can now be used for religious services as well as concerts and other events. As for the statue from St George’s which featured in the novel by Andersch, it is by Ernst Barlach and can be seen in the Barlach museum in Hamburg. The boy in the novel StOM Page 7