SPLICED Magazine Issue 04 April/May 2014 | Page 118

SPLICED COMICS / ISSUE 04 REVIEW / I KILL GIANTS I Kill Giants by Ray Whitcher (And tug at heartstrings) PUBLISHER / Image comics  GENRE / Fantasy  WRITER / Joe Kelly  ARTIST / J.M. Ken Niimura I VERDICT / 9 118 have spent the last 20 years reading comics and graphic novels. Admittedly, half of those years were just me looking at the pictures, but still, I was involved with them in one way or another. In all that time, only two have ever managed to make me genuinely and sincerely cry - We 3 and I Kill Giants. be delivered as: "Why yes, it is, but some of it is honest about the fact that it's only trying to make money by thrusting breasts, explosions or exploding breasts in your face." That's where IKG is so very different, from the way protagonist Barbara is realised to the very heavily metaphoric scenery Comics are enigmatic beasts that is depicted in this young that rely very heavily on the girl's world and even the combination between visual titular giants; every scratchy "...every scratchy (visceral) and written content line, splash of ink and line, splash of ink and to drive their narratives. So, overt stylisation is so overt stylisation is so understandably, it's really resonantly beautiful in difficult to find a perfect its simplicity, that it can't resonantly beautiful combination of the two, help but be engaging. in its simplicity, that but sometimes, some true Combine this with truly it can't help but be gems slip their way under smart, realistic dialogue the commercial radar and and you enter a strange engaging. " into our hearts. dialectical quandary between the sharpness of the writing The 2008 title I Kill Giants, and the simplicity of the art, but written by Joe Kelly and illustrated that is why this book is so magical. by Jim Ken Niimura, is most-decidedly one of those gems. The multi-award winning title is so IKG follows a brief part of 5th-Grader Barbara's unpretentious and raw in its approach that it’s life. The self-proclaimed giant killer generally almost off-putting at first. Niimura's art is rough, fits into your typical social outcast clique, with sketchy, but most importantly, honest. Now, you'll her particular quirks (like wearing various animal ask/decry/bemoan/indifferently ignore: "That's ears as an accessory or smart-mouthing people) awfully subjective, isn't all [comic] art honest?" isolating her from the 'socially-acceptable' school and my answer would be calmly/loudly/patiently crowd. Ever the opinionated rebel, Barbara often spends time at the Principle's office due to various instances of overt opinion-making, but treats each visit as more of a professional courtesy than something that may actually have repercussions for her. When she's not annoying classmates, getting into fights with bullies or antagonising authority figures and therapists; the young Giant Slayer patrols the coastlines, setting traps for any potential giant attacks.