SPLICED Magazine Issue 02 Dec/Jan 2014 | Page 134

If you’ve seen the first movie (or The Lord of the Rings), you’ve already got a good idea of what to expect from the look and feel of The Desolation of Smaug. Expect to visit a generous helping of beautiful and terrifying new fantasy environs, many shot on location in the aweinspiring landscape of New Zealand, with the entire film aesthetically empowered by the excellent visual effects and digital artistry of Weta Workshop. Stunning detail is applied to each and every aspect of these films, from makeup and wardrobe to lighting and sound, vividly bringing Tolkien’s written works to life with all the meticulous attention that such a spectacularly timeless and enormously influential artistic work deserves. We also love that, judging by the various production diaries that Jackson and crew have steadily released leading up to launch, everyone involved in its creation has ludicrous amounts of fun putting it together, despite the clear pressures in assembling a production of this pedigree. And as if we weren’t already tense with anticipation, their relentless enthusiasm drives our excitement levels ever upwards. We’re already counting the days until There and Back Again.  Dragon treasure The Hobbit and The Lord of the Rings have never been out of print. 134 FEATURE / MOVIES / THE HOBBIT: THE DESOLATION OF SMAUG