Spark [Kathleen_N._Daly]_Norse_Mythology_A_to_Z,_3rd_Edi | Page 105

90   serpent Women were the primary practitioners of seid, which reportedly had a strong sexual impact on the magicians. In the ceremonies, the priestess wore a special costume made of fur and featuring a promi- nent headdress. According to Norse mythology, Freya, a Vanir goddess, shared the gift of seid with the great Aesir god Odin and the other gods and goddesses. Odin became the chief practitioner of this magic among all of the Aesir gods. Freya is said to have never used her powers. serpent   A word often used in mythology, reli- gion, and folklore to denote nonspecific reptiles, such as snakes, dragons, or sea monsters. Serpent is used as a poetic metaphor, or kenning, in the skaldic poetry of Iceland. It was a symbol of protection for warriors, a guardian of great treasures, and may have been a symbol of fertility and healing. In some instances, the serpent was an opponent of the gods. In Norse mythology, the dragon Nithog chewed at the roots of the sacred tree, Yggdrasil and Jormungand, the Midgard Serpent, encircled the The figure of a serpent is depicted on this runestone in Lifsinge, Sweden, a commemoration of a Viking sailor who died in Ingvar the Far-Travelled’s expedi- tion to the Caspian Sea.  (Photo by Berig/Used under a Creative Commons license) earth with his tail in his mouth and spewed poisonous venom during Ragnarok. Odin turned himself into a serpent to enter the cave where he found the mead of poetry. Fafnir turned himself into a dragon to guard his treasure. The gods placed a serpent over Loki’s head after they had bound him to a rock. The serpent is a common figure on the rune- stone carvings found across Scandinavia. It is often depicted wound around the stone, sometimes surrounding the primary message, and usually con- taining runes itself. It is also found decorating woodcarvings such as the wagon found in the ship burial in Oseberg, Norway. S essrumnir   (Rich in Seats)  The hall of the goddess Freya where she welcomed the spirits of slain warriors and heroes, whom she shared with the war god, Odin. Sessrumnir was located in the part of Asgard known as Folkvang, the realm of Freya. It is said to have had as much room for its guests as did Valhalla, the palace where Odin welcomed his share of fallen warriors. shape - shifter   (Shape Changer)  Gods and giants magically change form often within the stories of Norse mythology. This was a complete physical transformation, not merely a surface disguise. Most commonly they took the shape of eagles or falcons to fly swiftly over land. The supreme god Odin had the power to change shape at will and took on many different identities to walk among humans. He and Freya preferred the form of the hawk for their supernatural travels. Loki, though, was the most famous shape-shifter, for he would change gender as well as form. In the story of the Giant Master Builder, Loki became a mare to lure away the giant’s stallion. In the story “Treasures of the dwarfs,” he became a fly to pester the dwarfs. Giants, too, changed shape. One became an eagle to steal the gods’ dinner. Another took the shape of a man to trick the gods. ships and ship burials   Ships were an impor- tant part of Norse culture. The Norse depended on ships not only for fishing and trading but for expand- ing their empires. The Viking seafarers roamed from their northern strongholds as far south as the Iberian peninsula (modern Spain and Portugal), Italy, and Sicily and as far east as Russia, Constantinople, and Baghdad. A Viking navigator, Leif Eriksson, sailed to North America in about the year 1000, almost five centuries before Christopher Columbus set foot in