Southern Writers Magazine January/February 2019 Southern Writers_JULY-AUGUST_2019 | Page 7

Writing Based on Greg Ahlgren by G. W. Ambrose When did you start writing? I stumbled into writing. I’ve always been a true crime/ mystery fan, and in that capacity on a personal whim back in the early 1990s I started looking into the 1932 so-called Lindbergh kidnapping case. After a while the case became a bit of an obsession; I found myself studying the facts of the case with the benefit of contemporary investigative analysis gleaned from my years as a criminal defense lawyer. I consulted with an accomplished police investigator, Stephen Monier, and when we found ourselves both troubled by the same fact patterns, we decided to write a book together. Crime of The Century: The Lindbergh Kidnapping Hoax, was published in 1993. I started thinking, “hey, maybe,” and so I was encouraged enough to take a shot at fiction. I’ve published four fiction novels since, including two American Civil War novels. All of them, including my original true crime book, are based on actual historical events. Who was your favorite author and how did he/she influence you? In the fiction genre I would say the late Daphne du Maurier. She may not be read that much anymore, but I loved how she could plot a contemporary story whose characters and storyline were so deeply influenced by events of the historical past. The past never really dies or gets buried, at any time it can reach up a finger and tap us. How do you find the time to write? Being a self-employed sole practitioner lawyer helped. If I have time between appointments or a cancelled trial, I may take a stab at writing, and sometimes I’ll dictate a whole chapter and give it to my secretary to type. If I worked for someone else, or for the government, I couldn’t do that—it would be cheating my employer. I decided at the outset that I would not let my writing take away from the time I spend with my family—preparing for a jury trial already does enough of that. So, I’ve never barricaded myself in a room at night or on weekends to either write or edit. Everyone must decide that for himself. Me, I’m proud that I never missed a scholastic game or kid’s school event. And that includes when my daughter was learning to play the violin. Believe me, those were excruciating times! Have you made sacrifices to be a writer? None. I wouldn’t do it. To me writing should be fun, both the drafting and the editing. (Not so much the marketing) If it’s not fun why do it? I guess I feel the same way about being a criminal lawyer. I remember early in my law career I did a trial where a gang of obviously all pregnant women were robbing banks. During the trial I found myself in the judge’s chambers during a break where the prosecutor and I were sniping at each other. The judge leaned across her desk and said, “Boys, boys, cut it out. If you can’t have fun trying this case, why did you go to law school?” She was right. And the same goes for writing. Did you enjoy co-authoring and are there benefits? I do enjoy it because of the constant feedback. A writing advisory group is good, but not the same. You give your advisors chapters and then sometimes wait a couple of weeks until they’ve had a chance to read them and synthesize a response. A co-author’s input is pretty much instantaneous. One benefit you do not have with a co-author is that the work is not cut in half. Maybe half of the first draft is delegated, but both co-authors must do all the research, all the editing of the whole manuscript, and all the over-writes, Southern Writers    7