Sounding the Teaching | Page 20

SO UN D I N G T H E T E A CH IN G 2 Exposition EX A MI NI NG MU SI C LEA R NI NG EX P ER I ENC ES F I N D I N G S Observations from the videos taken of the three groups are described below. Each group had about six students. CASE 2 CASE 1 1 ST VIDEO 1 ST VIDEO The group played with sticks. One of the girls played the given rhythm; two of the boys explored other rhythms while another just observed. The group played tambourines. One boy played the rhythm while the rest explored their own rhythms. 2 ND VIDEO 2 ND VIDEO The boys swapped two tambourines for sticks and cabasa as they wanted a different timbre to make the contrasting rhythm more distinct. The leader told one of the boys with a stick to create a different rhythm. 3 RD VIDEO (FINAL PERFORMANCE) 18 The group performed after 10 minutes of exploration. The leader played the rhythm; the boy next to him played on his own lap; the other two boys played the tambourine; the boy with the stick listened intently to the group and followed along. What Was Observed Someone initiated and the rest explored by playing rhythms; the leader in the group kept the group going. They influenced and were influenced by their peers when they saw/ heard their peers play something. Most students held on to their own ideas and managed to “fit in” with the larger group. Communication was largely non-verbal. The girl played and mouthed the given rhythm. The boy opposite played something different. The boy on his left was influenced to play the same rhythm. The boy on the right explored something different. 3 RD VIDEO (FINAL PERFORMANCE) The group performed two rhythms: the girl and boy seated opposite played the same given rhythm; the other pair played another rhythm. The group also presented an exploration of timbre in the rhythms by hitting the sticks differently on the floor. What Was Observed One group member played the given rhythm continuously as the others tried to create their own rhythms against this rhythm. There was a sense of peer influencing rhythmic ideas to play. Communication in the group was largely non-verbal. 19