SotA Anthology 2015-16
beach and those huge pipes, and the
observation tower for the docks itself, the
great piles of scrap metal that seemed to
be regularly collected by ships” (Gormley,
2015). My responses to the work conflicted
with each other: as I stood beside the
sculptures I could still find the landscape
pertaining to some romantic sublime, even
though it would have been a much diluted
sensation to that which would have gripped
people hundreds of years ago.
Bernstein argues tha