SoCultures Magazine 2018 SoCultures Magazine November 2018 | Page 80

SoCultures November 2018
Culture Curators
Italy
Enrico Garff
At that time, when I still hadn't developed much awareness of my skills and
knowledge of what I was doing, the first recognition of my dawning talent came
from a Lady deemed to be an art connoisseur by the pictorial circles of the time. I
remember how she claimed to notice already plenty of action and dynamos
embedded in my early stage drawing and painting attempts.
Appreciating art
In my nineteenth year, I learnt to appreciate the French impressionists and then the
renaissance masters, especially Masaccio. Driven by passion and total devotion to
shape and colours my pictorial ability took a remarkable leap towards a constant
growing inspiration. I didn't paint to chase fame, accolades nor money, left alone
one exception when at the age of 14; I remember that a compelling thought popped
up from nowhere: I didn't want to end up my life anonymously or die without
leaving a legacy to the world. Surely I yearned to be remembered for having
delivered during my existence something of substantial value to humanity.
Creating a legacy
In the late 80s, I started a classical Greek-inspired cycle, portraying scenarios with
sculptures in a wide range of styles, including Classical, Hellenistic, Minoic and
Cycladic art. The inspiration gained from the full immersion in those historical eras
was overwhelmingly corroborating: the statues appeared to take life under my
brush while the mystical atmosphere of those eras captured my soul in rapture.
The liberation of thoughts
I never lacked the inspiration, to be honest, but during that period the creative flow
was so powerful that I perceived it as an uncontrolled flow of energy streaming
down to the painting. In conjunction with that blessed inspirational connection, I
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