moment of time in which we step over the threshold of the invisible” (Conrad 70). Thus Marlow concludes that his experience in the Congo was almost a frozen moment in time in which one can step over what is morally acceptable. His conclusion suggests that his epistemological quest was neither an outright failure nor a fruitful success (Ciocia 35). A traditional epistemological quest in Victorian texts usually results in an achievement of certain knowledge or truth and was followed through in a chronological order (Allen Boone 144). However, Marlow’s quest has only resulted in the recognition of probabilities rather than certainties, which are suspended only in a single dream-like moment of acknowledging imperceptibility.
In summation, modernist artists believed Victorian realism was as an inadequate means of reflecting the complexity of the world and the fragmented, chaotic nature of the self (Avery, Bratlinger 252). Therefore, modernist’s writers experimented with both formal and stylistic techniques to reflect the self’s inner most desires and drives as is evident in Joseph
Conrad’s Heart of Darkness (Allen Boone 144).
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