[sic] - (late) spring 2014 spring 2014 | Page 11

profile: GRIMES enigmatic art-pop maven by C.M. Añonuevo Clare Boucher was born and raised on the west coast, originally from Vancouver. She now goes by the stage name Grimes. Her interdisciplinary accomplishments are impressive: she’s a visual artist, musician, singer, songwriter, music video director, and producer. In 2006, she moved to Montreal and began recording experimental music. A student at McGill University, she studied neuroscience, philosophy, and Russian Literature. There, Boucher quickly became involved in the underground electronic and industrial scene and started to put all her talents to use. I had the good fortune of seeing Grimes perform live at last year’s Sasquatch Music Festival in Washington State. Her performance was nothing short of stunning. Did I mention she studied ballet for 11 years? All three disciplines—visual art, dance, and musicianship— combine for an aesthetic feast you will not forget! Grimes is young, inventive, and irrevocably unique. She began performing in Montreal at a warehouse venue run by a Vancouverite and friend, Sebastien Cowan. Cowan is the founder of Arbutus Records and also Grimes’ manager. Her debut album Geidi Primes was released on cassette and demonstrates diverse influences from electronica, hip hop, industrial, ethereal, and noise rock, to name a few. Halfaxa was her second release. She then signed with 4AD Records, who partnered with Arbutus to release Visions in 2012. (It went on to win a Juno for Electronic Album of the Year in 2013.) Boucher describes her work as, “the only means through which I can be fully expressive. It is both an ethereal escape from, and a violent embrace of, my experience.The creative process is a quest for the ultimate sensual, mystical and cathartic experience and the vehicle for my psychic purging. Visions was conceived in a period of self-imposed cloistering during which time I did not see daylight.” Eclectic is an understatement. She’s sometimes compared to the likes of Bjork and Enya, although others have likened her to the alien love child of Aphex Twin and ABBA. She cites influences such as Nine Inch Nails, Cocteau Twins, Outkast, Nirvana, Swans, Marilyn Manson, Skinny Puppy, and Joy Division, but her music has ethereal, distinctly rhythmic elements that are hard to define—it’s like a new genre you haven’t heard before. She uses keyboards and synthesizers with occasional drum and guitar accompaniment, looping and layering her own vocals. Whatever you define it as, the Grimes experience is not to be missed. Check her out at grimesmusic.com. [sic] 10 [sic] spring 2014.indd 11 14-05-26 12:23 AM