Senior Connections Senior Connections May 2019 | Page 10
Singin’ in the kitchen
Remembering my mother on Mother’s Day
Curmudgeon’s
Corner
IVAN RACONTEUR • EDITOR
On a recent Friday morning, while I was shaving and
performing my morning ablutions, I found myself singing
“Shortenin’ Bread” in a loud and boisterous voice, while
at the same time doing a little soft-shoe dance and keeping
time with the obligatory foot-stomp on the accent syllables.
By the time I had fi nished my shower and donned the
uniform of the day, we had established, beyond a shadow of
a doubt, that mama’s little baby does indeed love shortenin’
bread.
Whether this was because I was channeling the spirit of
my dear departed mother, or whether it was an unexpected
consequence of the vindaloo curry I had for dinner the night
before, I cannot say for sure.
I suspect, though, that it was a visit from my mother.
Ma loved to sing, and she sang a lot. She spent much of
her time baking and keeping herself busy in the kitchen.
This made her happy, so she sang.
I would not want my readers to assume that when I say
Ma loved to sing that I am in some way trying to infer, inti-
mate, or suggest that she was any good at it.
This would be a gross distortion of the facts.
If Ma knew all of the words to any one song, she did a
remarkable job of concealing it.
She knew bits and pieces from a multitude of songs, and
if there were words she could not remember, she simply
made up her own as she went along.
The more absurd a song was, the better she liked it.
She had a song about a kookaburra (who sat in the old
gum tree), and a song that asked the timeless question,
“How in the heck can I wash my neck if it ain’t gonna rain
no more?”
If there was ever the slightest hint that any of us going out
on a date, she would sing about holding hands in the movie
show (when all the lights are low).
She had a song for everything. One never knew when
some innocent remark would cause her to burst into song.
This was a real treat for me and my siblings when we
were growing up. Fortunately, we were not in the least bit
self-conscious or embarrassed by our mother when we had
friends over. No more than any other teenagers, anyway.
If her behavior did occasionally cause us the slightest dis-
comfort, we soon learned to hide it.
Ma was like a tiger of the jungle in one respect.
Tigers of the jungle can smell fear. Parents, on the other
hand, can smell embarrassment, and if Ma ever got a whiff
of embarrassment when we were entertaining friends, she
would sing that much louder.
It wasn’t just the singing, either. She would swing her
arms and stomp her foot to keep time, as well. Sometimes,
she would try to cajole us into joining her in the chorus, or
suggest that we dance to the music.
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“Sing!” she would cry merrily, before launching into the
next verse. One learned to be quick on his feet, because
there was always the danger that she would seize the nearest
victim and dance him around the kitchen while she sang.
Lest any of my readers are imagining some sweet melody
like that produced by contented songbirds on a balmy spring
morning, I must hasten to disabuse them of this pleasant no-
tion. Ma really belted them out.
Her singing was more like Ethel Merman on steroids, or
a pirate queen on her third fl agon of ale than it was like
any stinking songbird I ever heard. What she lacked in tonal
quality, she made up for in sheer volume and chutzpah. Hers
was a pure and unbridled enthusiasm, and she didn’t care
who heard it.
The crazy thing is, despite the traumatic effect Ma’s sing-
ing had on her children, our friends loved her. When I met
an old pal at a school reunion, practically his fi rst question
was about my mother. He even sang one of her old songs.
As children, we swore we would never be like her, but we
cannot escape our genes, and at odd times like that recent
Friday morning, we sing too.
When I am not channeling my mother’s spirit, I tend to
favor my own repertoire. I can deal out “Swing Low, Sweet
Chariot” with the best of them, and my stirring rendition of
“Old Man River” is not to be missed.
On those rare occasions when there is enough whiskey
in my blood for me to give forth with the haunting melody
of “Danny Boy,” or “Lock Lomond,” it can leave people in
tears, especially music lovers.
This sort of amateur vocalizing may not be all that rare.
I have not done any formal research on this, but I suspect
that there are a lot of people out there who are clandestine
shower singers. And, if one pays attention, one can often
catch other drivers singing along with the radios in their
cars.
When I fi nd myself giving an impromptu concert, I think
back to those days so many years ago in that tiny old house
in Duluth, with Ma in her apron, wiping fl our off her hands
and fl inging back her head and belting out some silly song
fragment, and I can’t help but smile.
It is not getting what we want that measures success in
life; it is learning to appreciate what we have.
If we can do that, any little thing can be a reason to sing,
and why not? Life is too short to waste it taking ourselves
too seriously. Ma understood that.
Sometimes, when I am singing in my own kitchen, I can
feel her looking over my shoulder, and she’s laughing.
We complained about her singing for years, so perhaps
it is fi tting for her to have the last laugh, knowing that the
music, or what passes for music, is still with us.
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