Selected Bibliography Architecture - Form Space and Order | Page 279

CO NFIG URATIO N O F TH E PATH All paths of movement, whether of people, cars, goods, or services, are linear in nature. And all paths have a starting point, from which we are taken through a sequence of spaces to our destination. The contour of a path depends on our mode of transportation. While we as pedestrians can turn, pause, stop, and rest at will, a bicycle has less freedom, and a car even less, in changing its pace and direction abruptly. Interestingly though, while a wheeled vehicle may require a path with smooth contours that reflect its turning radius, the width of the path can be tailored tightly to its dimensions. Pedestrians, on the other hand, although able to tolerate abrupt changes in direction, require a greater volume of space than their bodily dimensions and greater freedom of choice along a path. The intersection or crossing of paths is always a point of decision-making for the person approaching it. The continuity and scale of each path at an intersection can help us distinguish between major routes leading to major spaces and secondary paths leading to lesser spaces. When the paths at a crossing are equivalent to each another, sufficient space should be provided to allow people to pause and orient themselves. The form and scale of entrances and paths should also convey the functional and symbolic distinction between public promenades, private halls, and service corridors. The nature of the configuration of a path both influences and is influenced by the organizational pattern of the spaces it links. The configuration of a path may reinforce a spatial organization by paralleling its pattern. Or the configuration may contrast with the form of the spatial organization and serve as a visual counterpoint to it. Once we are able to map out in our minds the overall configuration of the paths in a building, our orientation within the building and our understanding of its spatial layout will be made clear. 264 / A R C H I TE C TU R E : F O R M , S PA C E , & O R D E R