Sediments Literary-Arts Journal Issue 1 | Page 13

Instead of an angel and a devil, my friend’s shoulders harbored two musicians—Stevie Wonder and Johnny Cash. When my friend was happy, Wonder would warble a siren serenade, a song capable of luring a suicidal light-wave out of a black hole. When my friend was sad, Cash would croon about how life is like a chicken with its head cut off, full of blood and circles, signifying stuffing. Then, out of the blue, David Bowie appeared in the guise of a Martian. And Freddie Mercury materialized as a monarch. And John Cage, Miles Davis, and a pudgy Lutheran organist who only spoke in counterpoint joined the fray. In danger of falling off my friend’s increasingly overcrowded shoulders, the musicians emigrated north. Some lounged in his hair. Others protruded out of his ears. One rode on his nose. Ever since, my friend’s cried ebullient jazz-blue tears. Smiled baroque Zen-green smiles.