Seashell Lifestyle Magazine Vol.4 | Page 32

ART & CULTURE SHIMMERING LIGHT WATER TECHNIQUE DANIEL JEAN-BAPTISTE Highly regarded as the founder of the “Shimmering Light Water Tech- nique” and a leading silk artist, his discovery was made in a situation that could have been regarded as “complete disaster!” Born Daniel Gabriel Angelo Jean-Baptiste is a resident of Canada with a beautiful estate in the community of Choiseul in Saint Lucia which is home to his art gallery. We interviewed Daniel to learn more about the man behind these intensely colourful paintings that reflect the vibrance, light and energy of our Caribbean region. SL: Daniel it is such a pleasure to meet the man behind these beautiful Caribbean creations. Tell us a little about growing up on Saint Lucia?: DJ: I was born in the town of Choiseul. My mother was from Holland and my father a native of Saint Lucia from Soufriere. I attended the Saint Dominic Savio Boys School in Soufriere. Learning came easily but I always grew bored with what seemed a slow pace and repetitive teaching style of academics in early rural schooling in St. Lucia, disinterested I never studied or reviewed and only qualified to attend an agricultural school in Corinth. My family had by then moved to Rodney Bay and I realized I would be going no where fast if I continued to attend this school. One day, at the age of 11 years, on my own I walked up to the Saint Mary’s College (Saint Lucia’s number one high school), and asked the principal whether I could attend his school. He said to me “It doesn’t work that way”. After I persisted, he was impressed with my negotiating skills and decided to let me 32 attend. This I think was my first lesson on “You don’t have to play by all the rules” SL: At what point did you start painting? DJ: Growing up in a rural town in the 1960s-1970s with no television or Internet, my mother used to let us sketch with pencils and pens to keep us occupied. It wasn’t until I moved to Rodney Bay in the 1970s at the age of 9 years that I started painting plien air water colours on Reduit Beach and became acquainted with the work of local artist Dunstan St. Omer (One of Saint Lucia’s greatest artist and the designer of the Saint Lucia flag). I really fell in love with his work, particularly a mural he had painted at a hotel entrance on Vigie beach. While liking his work, I felt a deep sense to express my individuality in my work. With no formal training I painted and started to attract the attention of people visiting the Holiday Inn in St. Lucia, they would approach with interest as I painted under the sun, the beautiful image of Reduit Beach with Pigeon Island in the background. I would start a piece and before I could finish it would be sold. SL: What led you to the use of silk as a medium for your work? DJ: In 1980 I enrolled and attended a fine art course at Ontario College of Art. I wanted to grow as an artist, but after a week it became clear to me that this was not for me.