SCUMZINE edición #5 SCUMZINE # 7 MAG 2017 | Page 20

NADER SADEK

A great artist creates an insane fanatic work of art with meat and oil causes in our society, economy and human anatomy, NADER SADEK is an artist of fine arts expands to music, achieving an impressive concept, let him tell us about this band that has a line up of extraordinary musicians through bands like Cannibal Corpse, Cryptopsy, Cattle Decapitation, and Decapitated. Produced and Directed by artist Nader Sadek. Further alignment in amazing live-Vocals Travis Ryan / Rune Eriksen- Guitars / Martin Rygiel-Bass / Drums Flo Mounier- / Nader Sadek- concepts and direction. We leave you with NADER SADEK, to tell us what their band.
Here, Ricardo Bedoya SCUMZINE MAG magazine, Why did you decide to form Nader Sadek? And how are things with the band?
I didnt, my parents did, it was an accident I think, they were in switzerland I was told. Things are goin be er than ever!
1 How do you manage to form the band?, How was the process of ge ng these musicians: Andreas kissr from Sepultura, Blasphemer Of MAYHEM and AURA NOIR, alex webster from Cannibal Corpse, Bobby DEATH( symbolic), with flo from cryptopsy and Travis Ryan from Ca le decap? And how current band members meet?
Well im lookin for what I consider to be the best, I will always aim high, because life is too short to take the li le steps.. I go straight for the jugular, I worked hard for about 5 years and saved every penny so I can fly those ppl out( well most of them) and had them collaborate, money makes the world go round you know?
2 Why the fascina on with the art of men ' s skin? And What mo vates you to work as a sculptor of the flesh?

I ' m fascinated with our skin because its a very strange organ, its not dry, but its not most either, it can be shaped into anyform, however my facina on with flesh in general is that its a component of petroleum, one of the things that materialize and become petroleum. I did 1 piece for living flesh from my own leg, turned into leather, I did it because I wanted to make a real“ special edi on”, and I wanted to test myself to see how far I could go, I can go further I think, I have to. v

( interview in English and Spanish / Entrevista en Ingles y Español)
3 Tell us about " IN THE FLESH " How was work in studio recording and mixing? I ' d rather not talk about that labum, sorry 4 What was the process of crea ng topics? And why the theme of oil?
I like the idea of petroleum as the modern worlds new God, we live in apetroleum based soiciety, no one can escape it, its black, composed of dead things, ts by products pollute the enviroment, and we wage wars over it, its pre y evil if it can symbolized as an en ty
5 ¿ Cuánto long it took to get the contract SEASON OF MIST? And how are things with the distribu on?
A couple of minutes, we called them and told them about the album and then they heard it and wanted it badly.
6 What was the response the response from fans and extreme press " IN THE FLESH "?
Amazing!! for the most part ppl loved it, I persoanlly think its ok, it was the best we could have come up with despite the circumstances( low budgets)
7 Now tell us about " LIVING FLESH " DVD, where did the idea of making this a reality come about? And how was the staging?
From the start I wanted to do live shows, thats the most exci ng part for me! To gethtem together ihad to find a me where all the musicans where available
8 Tell us about the new album " THE MALEFIC: CHAPTER III " I love it, I think its much much much be er than ITF in every possible way 9 Why he went independent " THE MALEFIC: CHAPTER III "?
Because I dont think metal labels have the capability to understand what im doing. Their very closed minded, and cre only for commercial gain, whereas I want the work to be available to anyone, for free.