Scuba Diver Ocean Planet Issue 06/2016 | Page 115

At the same time I wrote to anyone I could think of to enquire about career advice, work or work experience. Basically anything I could get my hands on, paid or unpaid. After a handful of positive responses, and a lot of rejections, I was eventually given the chance by Scubazoo to come out to Borneo and work as an intern. Needless to say, I jumped at it. What challenges did you face at the start? I think, like most people, I thought this was going to be a dream job from the off, capturing stunning underwater footage, gliding over kaleidoscopic coral reefs, and feeling more like I was on holiday than at work. The reality is rather different. It can, at times, be an incredibly stressful job which requires meticulous planning and preparation in order for everything to run smoothly. Without any formal training, I had to learn on the job, which means you progress very quickly but you also make a lot of mistakes. It was a real baptism by fire. Thankfully, I was also editing my camerawork so could easily hide all the terrible shots I took! 02 03 There’s no substitute for experience so practise, practise, practise How long have you been professionally filming underwater? I joined underwater production company Scubazoo early last year on an internship, and after a few months helping in the office I was given a shot at handling a camera underwater, albeit a GoPro. So I guess you could say I’ve been doing it now for around 15 months. Since that first outing my setup has become a little more elaborate and I now shoot on a Sony EX1R with Gates underwater housing. Who was your biggest inspiration? Working at a company like Scubazoo with so many talented and experienced underwater cameramen, it is not hard to get inspired. However, I’d have to say that certainly one of my biggest inspirations and mentors has been my colleague and good friend Aaron “Bertie” Gekoski. He really took me under his wing from the first day I went filming underwater and as an underwater photographer and cinematographer himself has taught me a huge amount in the time we’ve worked together. What advice would you give to somebody who is looking to become an underwater cameraman? Whilst there is definitely no set path to becoming an underwater cameraman, most have a background in biology or other related studies so that’s a good place to begin. Add to that a professional level of diving and then it’s time to beg, borrow and steal any camera and housing you can get your hands on. There’s no substitute for experience so practise, practise, practise, but be warned, whilst learning you may have to work for free for quite a while. But if you can stick it out and show progress then a paid opportunity will come your way. SDOP