Scuba Diver Ocean Planet Issue 04/2016 | Page 109

One thing that impacts a trip for everyone is a thoughtless diver. Sadly, they can turn up everywhere. People who care only about themselves, who tear apart a reef to get a shot, who are rude to the crew and other passengers and who feel entitled are at the very top of my ‘dislike’ list. What camera or dive gear can you not be without? Of course, my Seacam housing! I have been using Seacam for over 12 years and I think it is the finest piece of underwater equipment available. I use Canon cameras, Ikelite DS 161 strobes and a Sola light along with appropriate Canon flashes for topside fill light. Do you take anything as a luxury not related to the trip? Once in a great while, I like to take a few pieces of feminine clothing to wear at dinner and in the evenings. Yes, the female side of me gets just a little tired of looking like the ‘adventure clothing poster child’. Sadly, with all the latest weight restrictions and the amount of equipment I have to carry, I often find myself pulling the pretty clothes out of my bag to pack an extra piece of photo equipment. 05 What have been your best and worst trips and why? Long crossings when the weather does not play fair are memorable for the wrong reasons. I have never had a trip cancelled due to rough crossings but it sure can be miserable for everyone on board. Also uninformed crew and bad food are tiresome. The good news is that these have not happened very often and I have been fortunate to meet some amazing crew members who do everything they can to make the trip as comfortable as possible. 03 Just a small sample of the amount of kit Michele has to take on an underwater assignment 04 Traditional fisherman, Kofure Village, Cape Nelson, Oro Province, Papua New Guinea 05 Lionfish really lend themselves to creative photography How do you deal with the pressure of having to get the shots? Every photographer wants the definitive shot. But what is that? Those of us who have been shooting for a long time can tend to be self-destructive and overly critical in what we deem as THE shot. We let our minds imagine shots that may not be achievable. It could be due to weather or water conditions. There are times that I am restricted as to the number of days I have to cover a story so I press my internal reset button and look for other angles that align with conditions and time.