Scrapbook Notebook Series Scrapbook #8 | Page 76

Digital Images Digital images comprise a fixed number of rows and columns of pixels with each pixel containing information about its colour or intensity. The physical size of an image when displayed on a computer screen or printed depends on the image size and image resolution. Definition of terms File formats BITMAP A digital (raster) image composed of a matrix of dots. When viewed at 100%, each dot corresponds to an individual pixel on a display. In a standard bitmap image, each dot can be assigned a different colour. Together, these dots can be used to represent any type of rectangular picture. BMP Bitmap. A file format that handles graphics within the Microsoft Windows OS. Typically, BMP files are uncompressed and therefore large; their advantage is their simple structure and wide acceptance in Windows programs. CMYK Cyan, magenta, yellow and black. The four basic colours used for printing colour images. Unlike RGB (red, green, blue) used for web imagery, CMYK colours get darker as you blend them together. Since RGB colours are used for light, not pigments, the colours grow brighter as you blend them or increase their intensity. The letter “K” is used to avoid confusion with blue in RGB. EPS Encapsulated PostScript. A PostScript image file format compatible with PostScript printers and often used for transferring files between various graphics applications. EPS files will print identically on all PostScriptcompatible printers and will appear the same in all applications that can read the PostScript format. DPI Dots Per Inch. Used to measure the resolution of an image both on screen and in print. DPI measures how many dots fit into a linear inch (not dots per square inch). The higher the DPI, the more detail shown in an image. GIF LOSSLESS Algorithms reduce file size while preserving a perfect copy of the original uncompressed image. Lossless compression generally, but not always, results in larger files than lossy compression. Lossless compression should be used to avoid accumulating stages of re-compression when editing images. Graphics Interchange Format. Limited to an 8-bit palette, or 256 colours, suitable for storing graphics with relatively few colours such as simple diagrams, shapes, logos and cartoon style images. The format supports animation and is still widely used to provide image animation effects. Its LZW lossless compression is more effective when large areas have a single colour, and less effective for photographic or dithered images. JPEG/JPG LOSSY Algorithms preserve a representation of the original uncompressed image that may appear to be a perfect copy, but it is not a perfect copy. Often lossy compression is able to achieve smaller file sizes than lossless compression. Most lossy compression algorithms allow for variable compression that trades image quality for file size. Joint Photographic Experts Group. A lossy compression method usually stored in the JFIF (JPEG File Interchange Format) file format which can result in a significant reduction of the file size. The amount of compression affects the visual quality of the result. JPEG files suffer generational degradation when repeatedly edited and saved. JPEG 2000 A compression standard enabling both lossless and lossy storage different from standard JFIF/JPEG and which improves quality and compression ratios while requiring more computational power to process. It is used currently in professional movie editing and distribution. PNG Portable Network Graphics. A file format that, unlike GIF, supports 8 bit paletted images (with optional transparency for all palette colours) and 24 bit truecolour (16 million colours) or 48 bit truecolour with and without alpha channel. Compared to JPEG, PNG excels when the image has \