Scores by Dominik J. Dieterle Dominik J. Dieterle - Solo for Guitar | 页面 2

E
x
t
e
n
d
e
d t
e
c
h
n
i
q
u
e
s
Mu
l
t
i
p
h
o
n
i
c
(measure 2)
There is only one multiphonic used in the whole
piece. It is located on the 6 th string between the
4 th and 5 th harmonic (3 rd and 4 th overtone). The
exact position of the left hand fnger is given in
brackets (note a 45 ¢ fat). The resulting sound is
a mixture between different overtones, which
varies according to the dynamic and the
left/right-hand position.
T
r
e
mo
l
o b
e
h
i
n
d t
h
e s
o
u
n
d h
o
l
e
Very lightly pressed down strings with indeter-
minate pitch (behind the sound hole, as high as
possible) played as a very fast tremolo. Repeat
the bracketed pattern for the noted time (here:
ca. 5'').
(measure 4)
c
o
n
t
i
n
u
o
u
s wh
i
t
e n
o
i
s
e
After playing the overtone-rasgueado run both
hands over the three bass-strings in alternation
resulting in continuous white noise (sound pro-
duction should be as consistent as possible).
(measure 12)
p
r
e
s
s d
o
wn s
t
r
i
n
g
s
Press down strings on the fretboard with the
right hand (best position: between XII. and
XIX. fret), while the left hand is placed at the
given chord. Then release the right hand very
fast in order to let all the strings ring. This sound
is always notated with square note heads and the
box+arrow-symbol.
(measure 28)
G
l
i
s
s
a
n
d
o o
v
e
r t
h
e s
o
u
n
d h
o
l
e
(measure 42)
Stopped note of indeterminate pitch (lowest note
approximately at the centre of the sound hole).
Depending on the guitar the position of the left
hand and the fnger-pressure may vary in order
to produce a continuous glissando. While play-
ing the glissando let all of the bass-strings ring.
H
a
r
mo
n
i
c
s
All natural harmonics are notated as fngering
indications, whereas artifcal harmonics are no-
tated as sounding pitches.