SASLJ Vol. 2 No. 2 | Page 84

Black Hole Christie to the old ways. It may have been family members or elementary schoolmates, or a speech teacher who was appalled as I chose to become more involved with the Deaf World. “Come back,” they yelled. “You don’t have to do that…you are not like them!” Finally, though, I knew to look ahead. As the ladder is shaken, the colors spill over. In slow motion, the paint can with the black paint, overturns and spills into a huge black puddle near the bottom of the ladder. The person who was shaking the ladder disappears into the black hole. This black hole becomes a sinkhole causing the ladder to now slip further and further downward. At the top of the ladder, she flails her arms and watches the sinkhole get closer and closer, threatening to engulf her. What is this about? It makes me think about the Deaf World existing as an oppressed group. Whereas the individual shaking the ladder presents a more personal challenge, the black hole represents how hearing culture challenges us. Where does this idea come from? For me, it is the majority hearing world which threatens to “swallow up” the Deaf World. Whereas the Deaf World is a place of many colors for Deaf people, the black hole represents a place that pulls us down, a place where there is only one color—black—where we not only will not see colors, we will also be “in the dark.” What is required when our world and ourselves are challenged in this way? It becomes an opportunity for greatness. And the flailing of arms, magically transform into the strong beating of wings. The person on the ladder rises up, flying skyward. As she flies into her sky canvas, the paint colors smear her face. Her expression is one of rapture. What does this mean? She becomes immersed in ASL and the Deaf World. It shows how self and language become intimately entwined. As we all know, the devaluation of ASL feels like a personal insult. The symbol of flying is a symbol of freedom. And here, she has been freed of worldly roadblocks, such as experiences with discrimination. For me, I take the meaning even further. Perhaps, it is because of the magic of flying, because of the rapturous expression, or because of my own personal yearning for something more. I see her as ascending to a higher, more spiritual path where her soul expands. And this, this is where, and how, the power of the lives of Deaf people lead beyond the community to personal, spiritual fulfillment. I know I am not there yet. Some days I flail against the black hole, and other days, I imagine my feet just barely lifting off the rungs of a ladder. This poem tells more than the story of our journey to Deafhood. I believe the poem Black Hole: Color ASL works karmatically; Deaf people who resist those who oppress the Deaf World are promised freedom and spiritual reward. It tells us that this journey will be filled with challenges; yet, we will rise above them. A poem by Maya Angelou states: “You may shoot me with your words/you may cut me with your eyes/…but still, like air, I rise…/Into a daybreak that is wondrously clear/…I rise.” Thus, the Deaf Experience becomes universal. It becomes the experience of peoples of the past who have struggled and found their way. It becomes a story of personal liberation being born out of a collective life journey. This writing first appeared in the online journal, Clerc Scar, in 2009. In the ten years that have passed, there have been a number of powerful social movements which have led to new approaches in the study of Deaf peoples’ histories and lives. I wrote this personal response as a cis, white, academic, Deaf feminist who has since begun to unpack my own SASLJ, Vol. 2, No. 2 – Fall/Winter 2018 84