You´re not anymore with me,
sweetheart.
pictorial and the drawish, that dialogue and get mixed to become one. The discourse
of drawing - faces that pay tribute to the great masters, Rembrandt, Rubens, Zurbarán,
Doré - is limited and contains the principles of emptiness and insipidity, as they are
drawn with a vapid and pure line. In contrast, the discourse of painting is bumpy and
has no limits. With piles of layers, there are no two areas of the canvas that are the
same, even if they look like one; Fractals come and go at 45 or 90 degrees.