SAKHABULA v4-i4(1)-a024 MY RESEARCH PAPER | Page 2

International Journal of Academic Research ISSN: 2348-7666; Vol.4, Issue-4(1), April, 2017 Impact Factor: 4.535; Email: [email protected] Her salvia Joyanta Mahapatra,s passionate relationship of present and past is to be seen beloved. Recent happening from the poem hunger and stones. From the poem Hunger, we see that a poor girl wants to sell her body in exchange of money where she will enjoy money and sex. From the poem stones of joyanta Mahapatra Beneath the bloodied walls of history. Nothing can be happening more dreadful. When we are illustrating subaltern of Indian poetry then it may take account of Noble prize winner poet Rabindra nath tagore,s Hat[Market]—kumor parar garur gari—Pollock cart of kumor para- where he wants to say that poor pot makers and village vegetable sellers along with other sellers are used to go through Pollock cart for a mere local village ,Bakshi ganger padmaparay, where they get one day earning after selling for seven days. There are so many poems of bilingual poet Noble winner, Dui Bigha Jami, Rabindranath was from rich family but he illustrated so many poems and song through subaltern. Another subaltern clearly found from his story Punishment. Post-colonial found that treatment on literary found so have got to know remarkable indigenous both in animate and unanimated forms likely poet Arun Kolatkar In my mouth, Poet Arun Kolatkar expressed his heartfelt poetic expression in jejuri also, showing that conciliation of locality with a point of spiritual witness at beach of sea through post-colonial studies. Poet Aron expressed his imagery that in between God and stone there is thin wall divides the scenario condition remains in between God[Aesthetic] and backwords. Kalagodha poem is perfect post-colonial subaltern poem where the poet appears against the socioeconomic establishment and opposed against non colonial where it coincides with colonised hindrance and reduced or exploitation cultural activities in the post-independence period. He brilliantly used colonial infrastructure from where we can learn upon the coloniser at the expense of identity, wellbeing and self-realisation. From R.Parthasarathi,s poem rough passage where is thirty eight sequences but first part of rough passage western culture is contrasted with India. His poem river shows significant role of literary and culture through a river. Poet and laureate from a poor family can learn from poem lost—where was I who I lost- A poet from village of India can guess more about subaltern then other poets of city because he always used to watch scenario and reflects through his subaltern poems of Indian poetry. Refernces: For I can almost taste www.ijar.org.in 169