Saint David's Magazine BOYS Vol 33 No 1 | Page 27

What Is a Classic and Why Is Literature Important in Children’s Development? by Gretchen King A father once approached me and said he would really like his son to focus only on the classics. I thought, “There are 56 titles in our Classic Starts series, then what?” Classic literature such as Call of the Wild, The Secret Garden, Black Beauty, The Man in the Iron Mask, and others in this genre, are truly some of the most captivating stories ever written, of that there is no doubt. I encourage our students to read all the classics at some point in their young lives. But with so many good books that are available that do not fall within the category of books we traditionally label as “the classics,” it made me ask myself the question, what is a classic? A colleague and I were discussing this and agreed that each generation defines its own classics. Books such as the Harry Potter series by J. K. Rowling, Wonder by R.J. Palacio, and The Miraculous Journey of Edward Tulane by Kate DiCamillo do not fall within what we normally consider “the classics,” yet they have become classics for their generation. The Oxford Dictionary defines a classic as “judged over a period of time to be of the highest quality and outstanding of its kind.” Would Shakespeare consider Great Expectations by Charles Dickens classic literature? Maybe, maybe not. Would Euripides consider Shakespeare’s Romeo and Juliet on the same level as his Greek tragedy Medea? Maybe, maybe not. I think one can see where I’m going with this. Further research brought me to an article on an interesting website called nownovel.com, which lists seven elements that they believe are part of a classic novel, and with most of them I tend to agree. These elements include: 1) Memorable and diverse characters, that give us insights into the lives and experiences of characters who have interesting backgrounds, temperaments, motivations, loves, and hates. When I think of this I think of Jo March in Little Women. 2) Good style. The article strongly impresses that for a book to be read, re-read and loved, the reading experience needs to be smooth. A book that reads easily and flows. 3) A fully realized setting such as Charles Dickens’ London or J.K. Rowling’s Hogwarts, both of which are vivid. 4) Satisfying story structure and development – the classics do not have plot holes. For me this means the book makes sense. 5) Larger timeless themes and truths that appeal to diverse audiences who can read and enjoy it because classic books deal with larger, significant themes. That article cited Harry Potter having been translated into 67 languages in part because its central themes (such as the power of friendship and the courage required to stop “evil”) are universal. 6) Classics make connections showing signs of their literary and historical origins. I don’t know that I necessarily agree with this, as I don’t think a novel that does not connect with another novel historically is a deal breaker as to whether it could qualify as a classic. And, finally, 7) Classics leave room for interpretation. Telling the reader what to think about the what and why of a story minimizes the reader’s power to make their own meaning. 1 Obviously, these are just the writer’s opinion and are certainly debatable in part or in whole, but the general idea resonates that some of the best books have some or all of these qualities. Yet all are not what normally comes