Sacred Places Summer 2011 | Page 15

for performances, demonstrations, rehearsals, and classes. The sector is undercapitalized; dance artists need large open spaces and they cannot afford to rent them at ‘market value.’ It’s time for [the Philadelphia dance community] to advance itself and better serve the community through Partners for Sacred Places’ new initiative.” These types of relationships have proved successful in places like New York and Philadelphia, but the potential for many more of these relationships is supported by the study’s findings. 88% of congregations and 82% of arts groups in the Making Homes for the Arts in Sacred Places study indicated a strong desire to work with each other. The study found that sacred places and arts organizations are highly compatible in terms of scheduling needs and audience sizes. Arts organizations expressed the need to use spaces from morning to evening up to seven days a week, and although sanctuary spaces are usually unavailable on Sunday mornings or Friday evenings, non-sanctuary spaces were found to be abundant and readily available at most times. In addition, the average capacity of larger, non-worship spaces was found to be around 400 people, which can accommodate the average audience size of 363 for arts organizations. Both congregations and arts organizations are often lacking in staff that are skilled at handling the complex rental and insurance issues that arise from intensive arts use and capital investment in a space. Partners will address this need through the Making Homes for the Arts in Sacred Places program. Training opportunities, labor resources, and outsourced personnel for both groups will help support the sustained success of these partnerships. Importantly, 88% of congregations and 82% of arts groups in the study indicated a strong desire to work with each other. Viji Rao, Artistic Director at Three Aksha Performance Institute, got to the essence of the connection when she said, “We at Three Aksha highly appreciate [Partners’] efforts to transform sacred places into new homes for the arts. Our traditional Indian art forms have always been based in Eastern (Indian) sacred places, and we are eager to continue this practice in the Western venues of Philadelphia. It will truly feel like performing back home!” Of course, Inis Nua Theatre Company performs Dublin by Lamplight at Broad Street Ministry in Philadelphia, PA. Photo by Karl Seifert. Sacred Places • Summer 2011 • 14