RTB: Tell us about your inspiration, art style and processes.
DOUG BLOODWORTH: My idol was Duane Hanson. He was a Florida sculptor who produced sculptures of people so life-like that they fooled the eye. When his security guard sculpture was on display at Russeck Gallery in New York, thousands of people, myself included, went up to him and asked him where the rest rooms were. It was truly uncanny. I love when people see my paintings at Foxx Galerie in Zurich and say to one another, “Nice photo”. Then Claudine Bandi, the owner, corrects them and tells them it is an oil painting. Their look of incredulity is such a pleasure to watch. Many people stare at the paintings for a very long time. I also enjoy evoking the feelings of nostalgia amongst the viewers. Recently at Zimmermann + Heitmann Gallery in Dusseldorf, I overheard a family looking at my Monopoly painting. One said, “I was always the dog”; another said, “I was the iron”. At Atlas Galleries in Chicago, I heard a patron exclaim, “Wow! Look at the Kid Cowboy. I had exactly that book when I was a little boy. And the edges of the book were frayed just like it is in the painting”.
RTB: How hard is it to build a name in the industry?
DOUG BLOODWORTH: One of the biggest challenges an artist faces is getting his work in front of the public. These days, artists pay large amounts to get their works on galleries’ walls. I have been so fortunate to have been “found” by Ron Hoy, the owner of Hoypoloi Gallery in Downtown Disney in Orlando. The great thing about Hoypoloi Gallery – and its sister gallery, Pop Gallery, also in Downtown Disney, is that over a half million people walk by the door every week. They are introducing my artwork to a myriad of collectors, and I am so grateful for it. Over Labor Day weekend, I painted live at the Pop Gallery and there was a line up around the corner to get postcards signed and remarques done. What a great scene it was.
RTB: What type of art collectors collect your works?
DOUG BLOODWORTH: Photorealism is a genre or art which can be appreciated and loved by the novice as well as the refined collector. I am hoping that the art form, along with the nostalgia that my paintings evoke, draws interest from a wide group of collectors and potential collectors who happen to be walking by a gallery that sells my works.
RTB: What would be a success for you?
DOUG BLOODWORTH: I would love for more and more people to become devotees of photorealism. One of my great successes is being awarded a position as a gallery artist at Art Gone Wild Gallery on Duval Street in Key West. Each day, thousands of people get off the cruise ships and walk up Duval Street. Most of those people have never been exposed to photorealism. D Arthur Wilson, the owner of the gallery, explains to these people what my art is all about, and it is amazing how many pieces of mine they sell every week. I love D Arthur and his wife Lisa, and I love Key West and Duval Street.
RTB: What about seasoned art collectors? Are they interested in your work?
DOUG BLOODWORTH: This is where I have to express my sincere appreciation to Howard Russeck, the owner of Russeck Gallery on Worth Avenue and of Russeck Gallery in Soho in Manhattan. These two galleries are filled with original oil paintings by Picasso, Miro, Calder, Kandinsky and the like, and now they also have original Doug Bloodworth paintings. I know that I certainly do not belong in a gallery of this caliber but I am thankful to Howard Russeck and Sloane Russeck that they have decided to showcase by paintings, and of course I am thankful that they have sold so many of my paintings to reknowned clients.
RTB: How do you decide on the subject matter of your paintings?
DOUG BLOODWORTH: My father was in the military and we moved around a lot. I was born on a US military base in the Philippines and also spent time in Hawaii as a child. As such, I spent a lot of time watching kids’ television and reading comic books. As an adult, I love depicting these nostalgic images in my paintings. It seems to resonate with viewers as well. Recently, I was visiting the Celebrites Gallery in Maui, which showcases my paintings, and I overheard one couple talking about the painting with the Superman comic, the potato chips and the soft drink. The husband stated, “Wow, that’s me as a kid!”. And the wife bought the piece for him!
RTB: What sort of training and tuition did you undertake to become the artist you are today?
DOUG BLOODWORTH: I studied fine arts in college and earned a degree in Commercial Arts. I started with caricatures, which to this day I enjoy. Then I was fortunate to be introduced to Marv Gunderson, the late world-famous billboard artist. I worked under Marv for several years, painting outdoor billboards half the size of an Olympic pool. Most of the billboards were for Marlboro brand of cigarettes, although we painted other billboards as well for McDonalds, Budweiser and others. Each billboard took a whole team of us about two weeks to complete. However, after three months or so of being in view, the billboards were whitewashed to make space for a new ad for a new client. I was dismayed to see our hard work disappear. I then painted two 30 foot by 200 foot murals at Tampa’s Tropicana Field, a project which took six months to complete and inspired me to focus solely on painting fine art pieces. I derive so much pleasure from the enjoyment others get from seeing my work.
RTB: What advice would you give to aspiring artists?
DOUG BLOODWORTH: Stay holed up! I spend ten hours a day in my studio in Lady Lake, working on perfecting the craft. A photorealist painting in the size I create them – four feet by five feet – can take me over two months to complete. But it is a labor of love.