Then Rage appears intensifying the song but they don’t forget the orchestra as if it was just an ornament, it is the real main character. Together they achieve an extraordinary teamwork which is not common to find, at least in present days, especially if we speak of the instrumental part of the theme in which we could listen common elements of Metal, the spectacular solos of Victor together with a strong rhythmic base. We need to highlight Peavy’s interpretation which imprints his intensity to the character, with a lot of passion. At the end of the song, the choir appears again while the song gradually fades to give the space for Scapegoat, and is Peavy himself who introduces us showing some samples of his versatility, while the band and orchestra arrive with a strong and spectacular interpretation. In this song we found strong riffs, extreme voices and if I’m not mistaken, the collaboration of one of the guest artist: Henning Basse. The orchestra shows its skills in a song completely “heavy” and it is a perfect example in which