After all this, we could well be grateful for a quieter moment, but until now
Luca’s idea for this album does not contemplate it, although Decoding the
Multiverse makes us believe that it will be a backwater, we continue with
the sound storm, but sweetly seasoned with a few moments at the piano,
contrasting with the strong rhythm by Patrice and Alex.
Origens is a short track that I consider to be a choral intermission that
fuses with Multidimensional that contains all the sound and strength of
its predecessors, and standing out for the catchy chorus.
Up to now we have heard songs with a resounding and eloquent rhythm
and strength; but finally we have the deserved sonorous rest with Amata
Immortale, sung in Italian and accompanied only by the piano, and the
orchestra as background, gives us a beautiful operatic picture.
I like to denominate the next song as “Chaotically melodious”; I Am is a
melting pot of sounds and styles, an amalgam in which you can hear both
Lione giving free rein to his vocal abilities, -even remembering Queen-
and the inclusion of a rare saxophone in this type of music (until now).
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