Retail Asia 2018 JunJuly2018 | Page 21

SPECIAL REPORT Colour a pivotal element that influences 50%-85% of consumer purchasing decisions Effectively integrating colour into product design and brand strategy is essential for building a strong brand and product identity. C olour is the most important design element to attract consumer attention and create a mood, influencing 50%-85% of consumer product purchasing decisions. This is according to a presentation by colour systems provider Pantone at a recent seminar organised by the Hong Kong Trade Development Council (HKTDC). Maryann Wong, director of Sales and Marketing for Pantone in the Asia-Pacific region, discussed the importance of colour in product and brand marketing, and explained the psychological and physiological effects of different colours and shades, and how their tactful use can help achieve design objectives at a seminar during the 33rd HKTDC Hong Gifts & Premium Fair in April this year. As 80% of human experience is filtered through our eyes, visual cues are essential for getting a message across successfully and colour is much more prominent than shape or text, explained Wong. She pointed out that we have both physiological and psychological responses to colour, but that most of our reactions to colour are intuitive and emotional; only 5% is rational. As you have only three seconds to catch a consumer’s attention on average, the first impression a colour makes is critical from a product marketing perspective, and managing the psychological meanings of colour is key to communicating your story and making an emotional connection with your audience, she added. Each colour and shade has a unique meaning and message, according to Wong, and understanding the psychological aspects of colour can help designers use colour as a strategy. She explained that while consumer reactions to colour generally remain constant over time, they can sometimes change considerably or simply evolve, so colour decisions must be based on current information. Colour messages At the seminar, Wong reviewed today’s messages represented by some of the main colours: ❖ Red elicits the strongest of emotions in every culture, she maintained, describing the colour as “captivating”, “exciting” and “provocative”. Associated with fiery heat and warmth, it increases the metabolism by 13%. Its connotation of vitality makes it a good colour for sports activities and sports drinks. Red is an attention-getting colour, she explained, but it dominates the surrounding colours, so it must be used judiciously. Red is the most accepted bright colour for brands across cultural boundaries, because it connotes excitement and high energy in all parts of the world. She pointed out that in most Asian countries, red is associated with good luck, joy, prosperity, happiness and long life. Combining red with magenta and purple creates an elegant, cultivated and, refined image, she said, which can be used to advantage when promoting luxury products. ❖ Pink captures some of the essence of red, but is more playful, theatrical and bold. Hot pinks radiate high energy, beauty and sensuality, while the lighter pinks and roses connote sweetness and innocence, she said. As you have only three seconds to catch a consumer’s attention on average, the first impression a colour makes is critical from a product marketing perspective, and managing the psychological meanings of colour is key to communicating your story and making an emotional connection with your audience. Retail Asia June/July 2018 19