Resounding Campaign Profiles BrownChallengeReport-Vol3-v3 | Page 2

Celebrating Youth Voice at the Library of Congress! For a second year in a row, OrchKids took DC by storm and let their voices ring! At the invitation of OrchKids friend and Brown Challenge founding donor, Librarian of Congress, Dr. Carla Hayden, our students debuted an original composition that they had written based on this year’s theme: the music of Jelly Roll Morton and Scott Joplin’s award winning opera, Treemonisha. Treemonisha was composed by the famous African American, Joplin, who is also noted for his ragtime piano works. Joplin was posthumously awarded the Pulitzer Prize for music for Treemonisha in 1977. The opera celebrates African-American music and culture while emphasizing the importance of education. Treemonisha is the name of the central character and heroine of the opera. This year’s project was extra special because OrchKids’ own Director of Programs, Camille Delaney, had a special connection to Treemonisha. Camille’s mother, Carmen Balthrop, is a renowned opera singer who landed a key role in the opera right after its 1972 premiere in Atlanta. “When I heard this music, I was mesmerized. I was floored!” she told OrchKids. Later, when she was with the Houston Grand Opera in the mid-1970’s, she held the star role and traveled with the production for its six- month run on Broadway! In February, Carmen traveled with a group of OrchKids students to help them comb thru Library’s collection of documents and recordings related to Treemonisha and Joplin. She provided valuable context for the significant impact the opera had on the classical music world, as well as American culture – Joplin being the first to combine classical melodies over the intoxicating rhythms of rag time and jazz. Carmen’s personal accounts of her relationship to Treemonisha helped guide the students as they began writing their own composition. Helping to foster youth voice is a core component to the success of our program and to the success of our students. One way that OrchKids creates space for students to express their ideas, visions, and goals is through special collective composition workshops. These workshops are facilitated and guided by OrchKids teaching artists, but the content is exclusively driven by students. In order for students to practice and hone their self-expression and communication skills, they need to experience voicing their perspectives in a safe environment that also challenges them to thoroughly flesh out and advocate for their ideas. At one of their composition sessions (inspired by their research on Joplin) students explored and wrote music about the damaging impact of racism. African American students from the West side, for example, encounter racism in very different ways than Latinx students on the East side. During the session, students discussed and shared their experiences – and created music from what they learned. One special guest who was in the audience at the Library of Congress and knows continued on next page