Report Salsa Dream Report Final_v2 | Page 10

As s e t s a nd Env i r o r nme nt s When I was dev el opi ng t he i dea, I k ept i n mi nd t hat ev er y asset / env i r onment I added t o t he ani mat i on i t woul d t ak e t i me t o mak e, so I was v er y st r i ct wi t h how many obj ect s and env i r onment s I coul d add t o t he scene. Most of t he ani mat i on t ak es pl ace i n t he dr eam, so t he onl y “ compl ex ” env i r onment I had t o cr eat e was t he squi r r el ’ s r oom, t he r est was j ust v er y si mpl e st udi o- l i k e set s. I di dn’ t spend much t i me on t he model l i ng of t he r oom on pur pose, si nce I want ed t o f ocus al l my at t ent i on ot her di sci pl i nes such as r i ggi ng ang l i ght i ng. As f or t he i nst r ument s, I cr eat ed 5 di f f er ent obj ect s. The model l i ng of t hose obj ect s was v er y qui ck si nce t hey wer en’ t v er y det ai l ed, i t pr obabl y t ook me a coupl e of hour s i n t ot al t o model and r i g al l of t hose. The har dest par t was t o r i g t hem, si nce ev er y i nst r ument i s cust om r i gged f or t hat speci fic scene wi t h f l ex i bi l i t y and ease of use i n mi nd. The fir st i nst r ument y ou see i s t he pi ano, whi ch I needed t o mov e l i k e a wav e when t he squi r r el sl i des on t op of i t . I achi ev ed t hi s r esul t usi ng a Si ne def or mer ani mat i ng i t s posi t i on. I used a si mi l ar appr oach f or t he gui t ar st r i ngs and ani mat ed i t accor di ngl y . For t he congas, I used a l i ght i nsi de each conga and cr eat ed an ex pr essi on t hat l i nk s t he i nt ensi t y t o an at t r i but e i n t he mai n cont r ol ( t o hav e al l of t hem easi l y cont r ol l abl e i n one pl ace) . The ef f ect was possi bl e onl y hav i ng a shader on t he sk i n of t he dr um t hat woul d al l ow some l i ght t o shi ne t hr ough and be di f f used i n t he sur f ace, somet hi ng si mi l ar t o what happens i n a l i ght box . Abov e: Shaded wi r ef r ame of t he r oom, Peppe Russo. Top- Ri ght : Shaded wi r ef r ame of t he i nst r ument s, Peppe Russo 9 10