remark March Edition | Page 11

SPONSORSHIP ON THE RED CARPET Every year, events such as the Oscars and the BAFTA’s provides the public with a chance to look back at some of the exceptional cinema from the previous year. Whilst most of the buzz around the events this year focuses on Gary Oldman, Frances McDormand and their respective film nominations, the red carpet remains a huge opportunity for brands to stand out from the rest. Visibility at this type of event can be immensely rewarding for brands wanting to increase their profile in this cultural space. The BAFTAs, in fact, have a historic, long- standing partnership with EE (previously Orange) that spans over two decades. As always, they were the title sponsor for 2018 in what marked their 20th year of partnership, with 2019 being the last year of their current partnership. EE have been leading the way year-on-year, using this partnership with their inventive activations on the red carpet. What is striking about EE’s sponsorship of this event is their continual desire to innovate at the evening itself, always striving to show off their latest technologies on the big stage. Last year, we presented to you EE’s star attraction o f the Roboselfie: a robotic camera that followed host Laura Whitmore around the red carpet taking selfies with the invitees. The Roboselfie allowed fans to tweet in pictures of themselves using the hastag #EEBAFTAselfie to be in with a chance of having a picture taken with one of their celebrity idols. This allowed EE to capture five selfies per second on the red carpet, before tweeting the pics back to the fans on the night. This year, however, EE arguably went bigger and better through their strive for innovation on the night. EE launched the world’s first ever “Style Scanner”. What’s that you might ask? Well, “it’s a camera rig fitted with Google Pixel 2 devices that photographed attendees from 12 different angles, automatically creating a 3D rotating GIF of each look.” Still confused..? Basically, in simple terms, EE provided fans watching the BAFTA’s at home immediate access to be able to buy alternative versions of the clothing that their idols were wearing on the red carpet; whether that be a snazzy velvet dinner jacket, a dazzling floor length dress, or even just a simple accessory. EE tapped into their millennial audience further through having their red carpet coverage presented by (ex The Saturdays member) Rochelle Humes; whilst both Marcus Butler and Lydia Bright were their social media influencers on the night. Year-on-year, EE continually attempt to strive for innovative ways to bring members of the public closer to the action of the BAFTA’s. As we have highlighted, the last two years have seen great success. Apart from the BAFTA’s, there are plenty of opportunities for brands to tie up with film ceremonies for an opportunity to activate wisely, and we can only suggest to take a leaf out of EE’s book to accomplish this.