galleries . While the existing buildings appear anchored to the ground , the new building floats atop two granite garden walls , with a transparent first floor enclosing a new entry atrium , a Museum shop , and a multi-function community space .
The design also clarifies the visitor arrival experience and increases the connectivity between existing spaces .
These ground-floor spaces gradually rise to the level of the existing buildings via a gently sloping , accessible walkway . The weightless effect of the expansion recalls the striking cloud formations above the Great Plains , as well as the deep overhangs and horizontal expression of Prairie School architecture . The horizontal texture of the new façade takes its cue from the stacked stone steps of the 1931 Joslyn Building ’ s monumental Grand Steps , which emerge from the east side of the existing buildings in parallel with the expansion . The façade ’ s light-colored precast panels are embedded with vibrant pops of pink aggregate that reflect the Etowah Fleuri ( Georgia Pink ) marble of the existing buildings .
The design also clarifies the visitor arrival experience and increases the connectivity between existing spaces . The primary access to the Museum has been relocated to the northern edge of the site , off James Fous Avenue , leading to a redesigned entry drive that sits in line with a new , raised garden with sculpture and a new Museum entrance , creating a clear sense of front and a fresh beginning for Museum visitors . New sculpture gardens have been reimagined as a sweeping collection of landscape spaces and outdoor “ rooms ” that wrap around the site , weaving the buildings and outdoor spaces together around the reflecting pool of sculptor Jesús Moroles — The Omaha Riverscape , 2008 – 09 .
Photos : Nic Lehoux 52 - www . refurbandrestore . co . uk