TONIGHT’S THE NIGHT
Mon 10th – Sat 15th March
THEATRE ROYAL BRIGHTON
atgtickets.com/brighton
Inspired by the songs of Rod Stewart this all-singing, alldancing feel good show premiered in the West End in 2003
and went on to sell out theatres across the UK.
Set Detroit and LA, the show tells the story of Stu, a shy
young man, so tongue tied that he cannot find the courage
to declare his love to the girl of his dreams. How different
he is to his hero, that legendary rock n’ roll vagabond Rod
Stewart! One night our hero strikes a deal with the Devil,
trading his soul for Rod’s. It seems like a good idea at the
time but he’s is about to find out the hard way that you can’t
find true love using another man’s moves and that devil or
no devil, there’s only one Rod Stewart!
GARY WEBB
Friday, 11th April
CASS SCULPTURE FOUNDATION, NEW BARN HILL
GOODWOOD, NR. CHICHESTER
(0)1243 538449 sculpture.org.uk
The Cass Sculpture Foundation continues with its ongoing mission in providing unique opportunities for artists
at different points of their career. As part of our on-going
exhibitions programme, a new large-scale work by the Londonbased artist Gary Webb has been commissioned for the
grounds. Embodying the playfulness of Webb’s approach to
contemporary sculpture, the new commission is made from an
alluring combination of materials including polished bronze,
aluminium and brass, drawn together by the bold and spurious
tonal qualities of Webb’s now distinctive use of powder coated
finishes.
There are approximately 80 sculptures on the grounds at any
given to enjoy on our 26-acre site in Goodwood West Sussex.
OTTO DIX
Sat 17 May - Sun 27 Jul
DE LA WARR PAVILION
BEXHILL
dlwp.com
A major and rare loan of 19 prints from the
Department of Prints & Drawings at the British
Museum will commemorate the centenary of WW1
the exhibition will present a selection from the series
Der Krieg (The War) 1924.
When the Nazis came to power in Germany, they
regarded Dix as a degenerate artist and had him
sacked from his post as an art teacher at the
Dresden Academy. Dix, like all other practicing
artists, was forced to join the Nazi government’s
Reich Chamber of Fine Arts a subdivision of
Goebbels’ Cultural Ministry. Membership was
mandatory for all artists in the Reich. Dix had to
promise to paint only inoffensive landscapes. He
still painted an occasional allegorical painting that
criticized Nazi ideals.
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