The collaborators then imagined their own house layouts,
superimposed them onto the current house, and went
through the momentum of certain activities.
Moving into an empty studio, they interpreted the “clutters”
from their daily lives for a performance. Individually they
wrote five tasks each, such as “sing passionately” and “do a
workout”, and these fifteen tasks became the choreographic
tools for Phase I. In re-arranging the various “clutters” from
their distinct lives, the collaborators allow audience to re-
evaluate what “clutters” could mean.