QMYOU Alumni Magazine QMYOU 87 Issue 11 | Page 12

MA Applied Arts and Social Practice: interview with Dr Anthony Schrag With growing interest in applied arts and social practice, QMU's new master’s will allow students to graduate with a better understanding of how artists, theatre practitioners and other creatives apply their skills in social contexts, third sector organisations, public health, social welfare, education and criminal justice, while giving them the practical and enterprise skills to develop a sustainable career in their chosen field. W E SPOKE WITH programme leader, Dr Anthony Schrag, to find out more about why this course is vital in today’s society and who would benefit from this area of study. We’ve also recognised that there’s a growing need for artists who are interested in developing their skills, and at QMU we have a wealth of lecturers and practitioners who we feel that we can help train these new graduates and so that’s why we’ve developed this new course. Who is the MA Applied Arts and Social Practice course aimed at? Why has this new course been developed at QMU? QMU has developed this new course in response to the industry needs which recognises that more and more artists are working within applied arts contexts. It’s also responding to government policy which encourages artists to work outside of their regular cultural fields and in fields such as prisons, healthcare settings and schools. This new MA will appeal to a wide variety of people. There will be those who are already working within the fields of applied arts who wish to embed their practice, get to the depths of more theory, but there’s also going to be people who already work in – for example – education and outreach and healthcare projects, who wish to know more about the applied arts side. So we’re appealing to both sides - the professional sides who wish to go more in depth with it and get better training, but also those freelance practitioners who wish to get a better understanding of the entrepreneurial and financial aspects of this practice. How is the course structured? The course is arranged around certain modules that give the students particular insight into practicalities such as financing, fundraising, and entrepreneurship. And these build together to allow the student to develop a real sustainable and successful career after they graduate. What are the benefits of this course? The benefits for students are multiple. We have a long history here at QMU of working with social justice concerns, and so being able to take student learning and embed that into a real-time practice gives benefit to students to be able to know what these lived concerns are rather than something that’s quite theoretical. We do place an emphasis on theory, and that is a benefit in itself for many people who perhaps have practiced and not had time to think about the theory, but we also have many, many links with local, national and international bodies. Students coming to the course will be able to practice their work in the field, on the ground, with these many experts. Also at QMU, we have lecturers who have a wealth of experience in the field – with extensive networks – and we can piggyback upon that to give those students an 'in' into the industry to allow them to really see what the practicalities of doing this work are. Graduate Diane Stewart on lessons A FTER L E AV I N G SECONDARY school, Diane Stewart knew that she wanted to study drama but wasn’t sure about what career path she would go down after graduation. She was attracted to the BA (Hons) Drama and Performance course at Queen Margaret University (QMU) because of the mix of practical and theoretical modules on offer, which she felt would give her a good grounding 12 QMYOU / Creative Industries no matter which direction she chose. Since graduating from the course in 2014, Diane - who hails from Dunfermline - has undertaken postgraduate study in York and Stockholm, and is currently working as a playwright. Most recently, she returned to Edinburgh where her new play Work-Life was performed at the capital's Traverse Theatre. I liked the variety that the course offered - no module felt the same. It was flexible, so I was also able to pick up a couple of film and media modules to complement the drama and theatre ones I was taking. What did you enjoy most about your course? What were the highlights? Working on site-specific performances was both really interesting and challenging, Were there any particular course activities you found especially interesting?