PVR MOVIES FIRST March 2020 | Page 29

David Fincher Masters@Work Celebrated American film director and music video director David Andrew Leo Fincher was born August 28, 1962. Known for his dark and stylish thrillers, such as Seven (1995), The Game (1997), Fight Club (1999), Panic Room (2002), and Zodiac (2007), Fincher received Academy Award nominations for Best Director for his 2008 film The Curious Case of Benjamin Button and his 2010 film The Social Network, which also won him the Golden Globe and the BAFTA for best director. When Fincher was two years old, the family moved to California. Inspired by Butch Cassidy and the Sundance Kid, he began making movies at the age of eight with an 8 mm camera. And that is how his iconic career began. 5 Clues You’re Watching a David Fincher Film and stimulating style. You’ll notice it most particularly in the chilling thriller SE7EN. Many of his opening scenes will remind you of master filmmaker Alfred Hitchchock, who pioneered the idea of opening credits as part of the storytelling and not just an arbitrary device to let the audience know who did what. • The Characters Quite a few of Fincher’s thrillers are based on the premise of an investigation. They are either detectives (Se7en, Zodiac) or take on the role of investigators during the course of the story (Gone Girl, The Girl With the Dragon Tattoo). These characters act as the cornerstone of the script around which the whole of the movie revolves • Camera Movement Fincher moves the camera - either by tilting, panning, or tracking - along with characters’ emotions and movements. For instance, if a character sits back in his chair, the camera will move with the character, no matter how small the movement may be. • Opening Credits Fincher uses the opening credits of his features to set the mood and the tone of his story in a highly creative PVR MOVIES FIRST • Visual Effects Here is another area where Fincher stands out as a director. He is notorious for using visual effects to achieve exactly what he wants in every shot, even if it’s small things in the background or details in an actor’s appearance. • Close Ups Unlike most directors, Fincher has an aversion to close ups. According to him, a close up tells the audience that the moment is important, and can give away a lot of the suspense. So unless really necessary, you won’t see too many close ups in his films. PAGE 29