Pure M Magazine ISSUE 5 | Page 70

Nozart Orphanage 3.5 The Elliot Duo NashvilleDreamer 4.0 Review by Aisling Lane Review by Tipsyonturtlesoup 70 The introduction is rather beautiful and as it develops images of snowflakes gently striking window panes spring to mind. The song itself is a simultaneous lament on lost love and the loss of childhood. It remains, despite its rather sombre subject matter, a rather whimsical piece; it floats along rather like a child chasing a balloon. It reminds me of the likes of Donovan and has a carefree flowerchild flavor to it. Some industrial sound structures are introduced towards the end of the piece, which I don’t really believe add anything, although I am still on the fence as to whether they detract from the composition as a whole. Thankfully they are short-lived and the rest drifts along to a satisfying conclusion; a return to the state of innocent bliss with which the vocal element began. I suppose I would be lying if I claimed that Orphanage was not a catchy song, I did find myself humming it at odd moments, although perhaps that was due to the epic procrastination I put myself through before finally writing this review. It certainly fits the ‘lovely music’ genre, it’s the type of thing you could play for your mammy and not get an earful about ‘proper’ music and ‘back in my day’. It’s also the sort of thing I could imagine gracing numerous television adverts and film soundtracks in the near future. I could certainly see Nozart going places. His choice of stage name would also suggest that he believes he will to, although whether he is the next Donovan or a sunshine super sham I will leave to the reader to decide. If, like myself, you simply listened to the Soundcloud version of the track I urge you to have a look at the accompanying animation by Amanda Bonaiuto. It really is charming. It emphasizes the hallucinatory nature of childhood memories, illustrating the confused mixture of emotions, drives and frustrations inherent in the experience through the natural archetypal imagery it employs. Taken as a whole the animation and song work rather wonderfully together and you could do worse things for 5:14 minutes I suppose, except perhaps plant a flower, although it is still far too cold for that carry on. From Strabane, in Northern Ireland, comes sister-brother duet The Elliot Duo with their newest single Nashville Dreamer, and as the title suggests this song takes you on a trip right into the heart of Tennessee; the home of Country Rock music. This acoustic hit has an easy-listening, chill vibe to it. The rhythmic beat, relatable storyline and clap-along to the song makes this extremely catchy and one can imagine it being played in a folk tavern with all the locals raising their glasses singing along. The chorus is powerful and encouraging, with strong background vocals that grabs the listeners attention and lifts the atmosphere of the song. The two main vocalists throughout the song are very different but work in a way that complements one another beautifully. The stunning acoustic guitar along with the gently played tambourine and the rich simple sounds of the harmonica soothes the air of the song. To bring it to close, the song is stripped back to just one voice and one guitar, highlighting the true talent of this vocalist and giving the song a goose-bump-ensured finish. This song is definitely a must hear for lovers of country rock, and The Elliot Duo are most certainly worth watching as they make a huge mark on the music scene.