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PURE M Magazine
Drew Holcomb
and the Neighbors
Medicine album review
D
Review by Dave Simpson
rew Holcomb and the Neighbors are a
four piece ensemble from Nashville,
Tennessee, whose brand of light,
acoustic rock comes infused with a country and
western flare. Active since 2005, the band have
churned out an impressive eight studios albums
in less than a decade, making them true veterans
of the music industry. And if that’s not enough,
album number nine, Medicine, is due for release
on January 26th.
Beginning with “American Beauty”, delicate
acoustic instrumentation and soft, simple vocals
characterise the band’s overall approach to their
work on Medicine. “Tightrope” continues this
acoustic vibe with a more upbeat rhythm. The
music picks up as it unfolds alongside a pleasant
melody, becoming louder and more energetic
towards the end.
“Here We Go” remains easy on the ears while
adopting a faster harmony and a more complex
musical execution. The band’s penchant for
country and western can really be felt here.
“Shine Like Lightning” follows on with a larger
sound. The music becomes more epic,
combining with passionate vocals for a rousing
auditory experience.
Things slow back down for “Avalanche”, a
ballad like composition with a slower, cooler
beat. “Heartbreak” arrives next with a hushed
acoustic riff that teams up with contemplative
vocals. It’s a rather reflective entry. The reserved
technique endures into “You’ll Always Be My
Girl,” a quiet, emotional piece, accompanied by
expressive vocals and lyrics.
“Sisters Brothers” serves as a departure from
the first seven tracks, with a fun and funky
musical intro and melody. Its catchy, resonating
tune allows it to stand apart and grab your
attention. “The Last Thing We Do” is another
airy number, beginning with optimistic piano
keys that lead into quick and enthusiastic guitars
and vocals.
“Ain’t Nobody Got It Easy” marks a return to
a mellow, acoustic sound, coming with solemn
vocals. This vibe certainly doesn’t persist into
“I’ve Got You”, however. Instead we are met by
a carefree, whistling intro that heralds the
beginning of a relaxed and contented musical
effort. Finally then, “When It’s All Said And
Done” makes for a fitting bookend to “American
Beauty”, recalling the latter’s acoustics and soft
vocals. A