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PURE M Magazine
Review by Dave Simpson
or those unfamiliar, The Dirty Youth are a five piece alt-rock
ensemble from South Wales who first hit the scene in 2007. Since
their formation, the band made whole by vocalist Danni Monroe,
guitarist/key player Matt Bond, bassist Leon Watkins, guitarist Luke
Padfield and drummer Freddie Green have toured extensively and played
alongside some titans of the music industry. They’re also no strangers to
the stage at major music festivals, such as Download.
Their debut album, Red Light Fix, hit in late 2011. And now following
a successful Kickstarter campaign the Welsh rockers have finally
unleashed its follow-up, Gold Dust, just in time for 2015. Through months
of teasing new material and a landmark headlining UK tour in October,
they certainly have done a fine job of building up anticipation for its
release. This begs the question then, was it worth the wait? The answer is
a resounding yes and then some.
Fast paced and exciting, Gold Dust has a sound that is fresh and original
yet distinctly Dirty Youth. “I’m Not Listening To You” blasts off with a
booming drum beat and striking synths that lead into a robust riff and
absorbing vocals. Its energy and enthusiasm makes the whole thing feel
like a declaration that the band are back and that they mean business.
Lead single, “Alive”, is already a definitive Dirty Youth anthem. Its
compelling synths and heavy riffs combine for an arrangement that’s
extremely grand in scale. This is topped off wonderfully by motivational
choruses to which it is next to impossible to listen without belting the
lyrics back.
“Just Move On” fades in gradually before exploding with an infectious,
dancy beat. The memorable melody is brought to life by lively, fetching
vocals. It’s a very accessible and captivating track that’s sure to have
audiences singing and dancing their hearts out at shows. “The One” takes
over with a darker tone. Heavy, penetrating guitar blasts build
continuously as it unfolds. It carries a hard rock vibe with a refreshing
contemporary spin, concluding with a great electronic breakdown.
“Darkest Wedding” is more of a straightforward pop/rock number. Its
riffs have a mellow quality yet generate a great deal of vigour. There’s a
remorseful edge to the sound, while emotion and passion are rife within
the execution. “Invincible” follows up with dire piano keys before guitars
erupt and build. It blends a somber ambience with a classic rock spirit
and heartfelt vocals.
Fast and furious riffs and synths get “Bury Me Next To Elvis” off to a
rousing start. A thumping drum beat is m