Program Guide 2019 Program Guide | Page 92
Acknowledgements
Special acknowledgements
We would like to thank:
Andrew Abbott, Stephen Armstrong, David
Bates, Lou Bennett, Peter Bingeman,
Frank Bischoff, N’arweet Carolyn Briggs,
El Chantry, Alex and Georgie Cleary, Bill
and Helen Coleby, Dr Matt Collins AM QC
and Leonard Vary, Jane Crawley, Denise
Damianos, Damien de Bohun, Mark Dobson,
Janet Galpin, Tony Harding, David Harvey,
Glen Hirst, ILBIJERRI Theatre Company
for their ongoing support of Tanderrum,
Tim Kennedy, Aunty Diane Kerr, Paul Kirk,
Hugo Leschen, Edwina Lunn, Michael
Lynch, Rachael Maza, Marshall McGuire,
Daniel McKay, Melbourne International
Comedy Festival, Greg Moore, Mark Murphy
and Hayley Cleeland, Sarah Neal, James
Schuter, Clive Scott, Emily Sexton, Brenda
Shanahan, Melanie Smith, Claire Spencer,
Brad Spolding, Maureen Wheeler AO and
Tony Wheeler AO and our key production
suppliers Resolution X, Norwest, Haycom AV,
Element Rigging and Optical Audio.
Cover image
Rite of Spring, Yang Liping Contemporary
Dance. Photo: Yijian Li.
SUSTAINABILITY
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Funding acknowledgements
The following companies and productions acknowledge the support of:
ACCA, Anthem, Back to Back
Theatre, Chunky Move, Diaspora,
Everywhen, Gender Euphoria,
Branch Nebula, Gertrude
Contemporary, ILBIJERRI Theatre
Company, Lucy Guerin Inc and
Performing Lines.
ACCA, Back to Back Theatre,
Chunky Move, Everywhen,
Gender Euphoria, Gertrude
Contemporary, ILBIJERRI
Theatre Company, Lucy Guerin
Inc, Melbourne Recital Centre,
OVERTURE and The SUBSTATION.
Arts House, ACCA, Everywhen,
ILBIJERRI Theatre Company,
Gender Euphoria, High
Performance Packing Tape,
Lucy Guerin Inc and OVERTURE.
Other acknowledgements
Anthem is produced by Performing Lines in association with Arts
Centre Melbourne. Script commissioned by Arts Centre Melbourne.
A Thousand Thoughts: A Live Documentary by Sam Green & Kronos
Quartet was commissioned by Melbourne International Arts Festival,
The Arts Center at NYU Abu Dhabi, Barbican, Center for the Art of
Performance at UCLA, Exploratorium, Christos V. Konstantakopoulos,
Krannert Center for the Performing Arts at the University of Illinois
at Urbana-Champaign, MASS MoCA, Wexner Center for the Arts at
The Ohio State University through its Wexner Center Artist Residency
Award program. The Shadow Whose Prey the Hunter Becomes has
been co-commissioned by Carriageworks, the Keir Foundation,
the Thyne Reid Foundation and The Anthony Costa Foundation,
supported by Creative Partnerships Australia through Plus 1, with
development support from the Geelong Performing Arts Centre,
Arts Centre Melbourne, Melbourne International Arts Festival, the
Une Parkinson Foundation, The Public Theater, New York City and
ArtsEmerson, Boston. The Shadow Whose Prey the Hunter Becomes
was developed, in part, at the 2019 Sundance Theatre Lab at MASS
MoCA. Special thanks to Human Rights Watch and Sofitel Melbourne
On Collins for the 2019 Melbourne season. Back to Back Theatre is part
funded by the Australian Government Department of Social Services.
BlackWrights was supported by the Australian Government through
the Indigenous Languages and Arts Program and City of Melbourne.
Colossus was originally commissioned by Arts Centre Melbourne
and Melbourne Fringe as part of the Take Over Program. Gender
Euphoria was developed with the support of Arts Centre Melbourne,
Midsumma Festival, Auspicious Arts Inc and Dancehouse. Ghost
Gamelan tour produced by Far and Away Productions. Mariana
Castilla Deball’s exhibition has been supported by the Institut für
Auslandsbeziehungen. The Nico Project is produced by Manchester
International Festival. The Marble Index, words & music by Christa
Paeffgen © 1968 Warner-Tamerlane Publishing Corp (BMI), all rights
reserved. Used with kind permission from Warner/Chappell Music
Ltd. Rite of Spring co-produced by Melbourne International Arts
Festival, Sadlers Wells, London, Shanghai International Arts Festival,
Brisbane Festival, Edinburgh International Arts Festival, Stanford
Live and Beijing Poly Theatre Management Company. roots is a
1927, Edinburgh International Festival, HOME, Spoleto Festival USA &
Theatre de la Ville Paris co-production.