Professional Lighting & Production - Summer 2018 | Page 29

the G-Spot in other applications of
late and the team has become very
familiar with its performance and
ability to withstand the elements.
Considering the firm’s reputation
with outdoor lighting applications,
that level of confidence is critical.
“We want things that we know
can perform in this kind of envi-
ronment,” he states. “For example,
the CK [iColor Flex LMX] nodes are
the only thing that work like they
do and last like they do. We’re not
interested in taking a leap of faith
with a new product without very
rigorous testing.”
An advantage of working on
the west coast is that, while rain
and fog are in no short supply, it
typically enjoys milder summers,
and as Bedard points out, LEDs and
electronics in general fail more so
from overheating than being ex-
posed to splashing water and rain.
Their other constant B.C.-based foe
in exterior projects, salt water, isn’t a
concern in the lower mainland.
As Bedard summarizes, the goal
behind Eos Lightmedia’s role in the
Pinetree Way Enhancement Project
from the outset was to ensure that
every individual component they
designed would become an inte-
gral part of the city – not just flashy
lights for the sake of flashy lights,
but features that would enhance
the environment and engage the
community.
“There’s a lot of technology
out here, and these ideas wouldn't
have come to life without the work
and support of ISL Engineering and
Bay Hill Contracting,” he says, giving
credit where it’s due.
Ultimately, the new Pinetree
Way has been well received by the
city and its residents as a welcom-
ing community hub, embracing
growth and development while
complementing the area’s unique
and charming geography.
Andrew King is the Editor-in-Chief of
Professional Lighting & Production.
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