Premier Guitar September 2016 | Page 83

ad_TRex_PG_3rdpage_Layout 1 2016-07-13 1:09 PM Page 1 last two years. Before, we all used Orange amps and it’s pretty much been plug and play—maybe grab some pedals you like and do your thing. But we’ve played a few hundred shows now, and we’ve become better at putting ourselves in different positions in the mix. I never thought about these things much, because I just played punk and hardcore. But now it makes sense to do things well. How do you decide who plays what? Rolland: It’s just something we figure out in rehearsal—whoever has the most natural feel for something. It usually falls naturally that Vidar will play the rhythm stuff and Maciek will play the more advanced lead stuff. Sometimes we switch it up a little. Sometimes Vidar and Maciek will play lead and I’ll play rhythm, or Maciek and I will play a lead and Vidal will play rhythm. It’s not really something we think a lot about when writing songs. Ofstad: We all have very different playing styles and, on the new album, it is very clear that that’s a big part of why three guitars work. Everyone very naturally finds his place in the song—everyone has his own characteristic. And Bjarte playing with his fingers sounds way different than what I play. Nattesferd is self-produced with Nick Terry engineering. It’s your first record without Converge’s Kurt Ballou at the helm. Was there something you were hoping to achieve producing it yourselves? Rolland: We thought we could produce it without Kurt’s help, even though he was very instrumental, especially on the first record. He helped us tighten up arrangements. We still came prepared and had songs demoed, but it was something we really needed. Since then we’ve evolved, having played so many live shows, that we felt we might as well just record it live: drums, bass, and three guitars at the same time. The arrangements are also simpler and more live-based. There wasn’t really that much to produce, or left to produce, by the time we got into Amper Tone Studio in Oslo. Were there problems with bleed-through because you recorded live, or was everyone isolated? premierguitar.com PREMIER GUITAR SEPTEMBER 2016 81