FROM THE DESK OF MELISSA HELLER
COMPANY COSTUME DESIGNER,
BAG&BAGGAGE PRODUCTIONS
MOST
CHALLENGING COSTUME
The quick-transforming
kimono from Kabuki
Titus, with flowing
ribbons and a split
down the middle.
“BETTY”
36"×26"×36"
(The Hourglass)
Husband
Brad's guitar
and video
games
Pins for
places
visited
$1,500
12–15
on notions
(buttons, zippers,
etc.) per year
“MARGE”
40"×29"×42"
(The Pear)
SHOWS
A YEAR
“My painting
masterpiece!”
from Oregon
State University
art class
“I always keep
some fluff on hand”
Anatomical heart
pincushion
Leather scraps to make
beer koozies for friends
Arm hole draft
50 YARDS
of fabric per season
F
“
rom mannequins on
pulleys to sewing and
serging machines, Bag&Baggage’s company costumer
Melissa Heller has her home
workshop perfectly rigged
for her latest projects. While
preparing to stitch up The Six
Gentlepersons of Verona, she
shared her favorite sewing
tips: Magnets make the best
quick-release fixtures, shoes
and jewelry “tend to explode
onstage” and require the
most repairs, and though her
favorite pincushion is shaped
like an anatomical heart, she’s
“not doing any voodoo ... at
the moment.” .
“Not as many as
you'd think ...”
150
MAGNETS PER
SEASON
Magnets are my
favorite tool!
“BERTHA”
43"×32"×39"
(The Apple)
20–150
HOURS OF
SEWING
PER SHOW
75–100
HOURS OF
CLOTHES
SHOPPING
PER SHOW
PHOTO BY RAINA STINSON.
38
ARTSLANDIA AT THE PERFORMANCE MARCH | APRIL