THREESOME | CREATIVE TEAM
the lobby spaces of the Gerding
Theater at the Armory. On Broadway,
he designed the lighting for Ma
Rainey’s Black Bottom and the Pulitzer
Prize-winning The Kentucky Cycle, and
Off-Broadway Hurrah at Last, Ballad
of Yachiyo and Bouncers. Peter has
designed more than 300 regional
theater productions for such companies
as the Kennedy Center, the Guthrie
Theater, American Conservatory
Theater, Berkeley Repertory Theatre,
Mark Taper Forum, La Jolla Playhouse,
Seattle Repertory Theatre, Old Globe
Theatre, Huntington Theatre Company,
South Coast Repertory, Steppenwolf,
Dallas Theater Center and the Oregon
Shakespeare Festival. He is the Studio
Director of the architectural lighting
group StudioK1, and is the author,
under his pen name Peter Alexei, of the
novels The Masked Avenger and The
Queen of Spades.
CASI PACILIO
Sound Designer
Casi keeps busy with a variety of work
and play in Portland and around the
country. PCS credits include Vanya and
Sonia and Masha and Spike, Dreamgirls,
The Last Five Years, Othello, A Small
Fire, Chinglish, Twist Your Dickens
(2013 and 2014), The Mountaintop,
Fiddler on the Roof, Oklahoma!, The
North Plan, Shakespeare’s Amazing
Cymbeline, Black Pearl Sings!, Opus,
futura (with composer Jana Losey),
Ragtime (PAMTA Award 2010), The
25th Annual Putnam County Spelling
Bee, Alfred Hitchcock’s The 39 Steps,
Snow Falling on Cedars, Crazy Enough,
The Little Dog Laughed, Sometimes a
Great Notion, Cabaret, The Pillowman,
I Am My Own Wife, West Side Story,
Celebrity Row and eight seasons of
JAW. National shows: Holcombe Waller
Surfacing and Wayfinders; Hand2Mouth
Theatre credits: Left Hand of Darkness,
My Mind is Like an Open Meadow
(Drammy Award 2011), Something’s
Got Ahold Of My Heart and PEP TALK.
Other theatrical credits include Squonk
Opera’s Bigsmorgasbord-WunderWerk
(Broadway, PS122, national and
international touring); I Am My Own
Wife, I Think I Like Girls (La Jolla
Playhouse); Playland, 10 Fingers
and Lips Together, Teeth Apart (City
Theatre, PA). Film credits include
Creation of Destiny, Out of Our Time
and A Powerful Thang. Recordings:
Glitterfruit’s fruit snacks.
STEPHANIE MULLIGAN
Stage Manager
As a stage manager, Stephanie has
worked with such notable American
directors as James Edmondson, Penny
Metropulos, John Dillon, Aaron Posner
and Nancy Keystone, as well as her
longtime friend and mentor, Allen
Nause. She is also a stage director in
both the professional and educational
arenas. Recent work includes The
Outgoing Tide, Little Women: The
Broadway Musical, Jesus Saves, The
Guys, Standing on Ceremony, Dear
Galileo, Yankee Tavern, Nickel and
Dimed, The Wizard of Oz, Murder Is
My Business, Love’s Labour’s Lost,
The Laramie Project and The Comedy
of Errors. Most recently, Stephanie
directed The Seven Wonders of
Ballyknock for Lakewood Theatre.
She has been a frequent participant
in international arts programming,
including collaborations with India’s
Mahesh Dattani and Lillette Dubey;
Vietnam’s Doan Hoang Giang and Dang
Tu Mai; and Australia’s Cate Blanchette,
Robyn Nevin and Andrew Upton.
Locally, she has worked with Portland
Center Stage, Broadway Rose Theatre
Company, Clackamas Repertory
Theatre, Oregon Children’s Theatre
and Artists Repertory Theatre among
others. She has been a guest lecturer at
universities across the county, as well as
in Hanoi and Vietnam. Thanks to Laura
for her constant support; and to Kristen
for her PA superpowers.
KRISTEN MUN
Production Assistant
Kristen Mun is originally from Hawaii
and graduated from Southern Oregon
University with a B.F.A. in Stage
Management. Previous Portland Center
Stage credits include production
assistant on Lizzie and 2nd production
assistant on Fiddler on the Roof.
Outside of Portland she has worked
at the Oregon Shakespeare Festival,
Idaho Repertory Theatre and Actors
Theater of Louisville. In Portland, she
has worked as a production assistant
and stage manager with other theater
companies such as Artists Repertory
Theatre (And So It Goes …, Red Herring),
Oregon Children’s Theatre (A Year
With Frog and Toad, Charlotte’s Web,
Ivy + Bean), Northwest Classical
Theatre Company (King John, Measure
for Measure, As You Like It), and
Post5 Theatre (Hamlet). Outside of
stage managing, Kristen is also a fight
c