Popular Culture Review Vol. 25, No. 2, Summer 2014 | Page 112

108 Soul of the Dark Knight: Batman as Mythic Figure in Comics and Film Alex M. Wainer McFarland & Company, 2014 In Soul o f the Dark Knight, Alex Wainer provides an in-depth study of the mythic essence of the world’s most famous cowled crusader, Batman. Celebrating his 75th anniversary this year, the Dark Knight has been represented in a myriad of different mediums and undergone numerous transformations during his ageless battle against the forces of evil in Gotham City. Now, with the critical and commercial success of the Christopher Nolan-directed trilogy, a plethora of critical works have popped up on the bookshelves, all exploring Batman’s essential attraction on the masses. Taking a humanist approach. Soul o f the Dark Knight argues that the fascination Batman holds is not only based on his “flamboyant costume and his thrilling adventures and hairbreadth eseapes,” but also on the appeal of the mythopoeic (18). While calling Batman a mythic figure, Wainer notes that he is not saying that the “Batman figure is a myth, but like Greek myths, has qualities that are like them” (10). According to Wainer, Batman most closely resembles a Homerie hero, an incarnation of an “avenging spirit of justiee,” a figure who takes on the aspects of darkness and is able to use the darkness to defeat criminals (9). This study focuses on Batman's mythic qualities; however, Wainer takes some time to build up to the payoff. While the reader is given a taste of Batman in the introduction. Chapter 1 reads more like a primer on myth than a study of the Dark Knight, as Weiner fills this chapter with discussions of several competing views of myth, such as the scientific/sociological, the literary/classical, and the philosophical. With this background in place. Chapter 2 gives a short history of the Batman from Bob Kane’s creation of “the Bat-Man,” up to the present era. While this chapter will interest readers new to the Batman universe, veteran fans will find little new material. For readers interested in the distinct enduring qualities of the Dark Knight’s mystique. Chapters 3 and 4 discuss his unique mythical aspects examining how this essence is uniquely expressed in the comic’s medium which is “his duality and his symbolic appeal as a hero figure” (55). According to Wainer, the success of Batman’s character and long term survival is due to the principles and techniques that govern his main medium, sequential art. Going into great detail, he argues that Batman’s