Popular Culture Review Vol. 25, No. 1, Winter 2014 | Page 89

Shady Beasts, Animal Transgression, and Identity 85 of interaction with others collide. The act of mourning extends from the author to the imagined reader in a gesture of incredulity. The passerby caimot possibly be a friend. It may be that Byron is invoking a theory of impossible perhaps through the use of the word “perchance.”'* The “Ye” who “perchance” arrives to look upon the monument would certainly not be a friend, for a real friend would have already accounted for both the dog and the author in anticipative mourning. The epitaph, necessarily anticipating and mediating the future of the reader even while paying reverence to the literally past, is the device of the perhaps par excellence, except that rather than anticipate the death of the friend—^that has now occurred—the epitaph turns to memory and anticipates the death of the memory of the friend, specifically through the death of the self remembering. There must be always already a connection between the height of human interactions and the depths of interiority through the imagined impossibility of death brought into close enc