Popular Culture Review Vol. 24, No. 1, Winter 2013 | Page 65

Montgomery Clift: An American Original 61 dweeb, cocky blonde guy, desperate virgin, stoner or loner weirdo (stereotypes cleverly portrayed in Not Another Teen Movie, 2001/ As actor Bill Gunn (ibid) said of Clift: “He just w as” That is, Clift embodies the complexities that reside within us all. The appeal of Clift was largely in the fact that those alienated by their culture feit as if he got them. Clift accomplished something unthinkable in a classic teen movie: he made the sensitive, brooding, loner “cool.” Paradoxically, the more effortless, realistic and free of cliche Clift’s screen characterizations were, the more we realize how difficult it is to “act” in that way. The far easier route to acting is to reside in the neatly-compartmentalized role Hollywood has prescribed for you. For example, while one could interject themselves into the starring cast of the TV show, “Friends” with relative ease, it seems unlikely that anyone could say to themselves, “Yeah, I could have played that role in The Search just as well as Clift.” Recent works by Stern, Lawrence, and McGurk have once again elevated Clift’s Status as a cinematic genius, rebel icon and catalyst for cultural change. It is hoped that this study will build upon those recent contributions and provide a further foundation for deeper exploration of the body of work provided by Montgomery Clift. While there has been a substantial amount of work focused primarily on Clift’s personal life (LaGuardia, 1977; Bosworth, 1978; Hoskyns, 1992, Leonard, 1997; Capua, 2002 and Lancaster, 2005) and somewhat more limited, but very fine, research that has focused more on his Professional contributions (Morella and Epstein, 1971; Kass, 1978; Lippe, 1989; McCann, 1993; Stern, 2007; Lawrence, 2010 and McGurk, 2010), it would be edifying to see more scholarly work focusing on in-depth analyses of Clift’s films. This is the one area in the life of Clift that remains insufficiently examined. Northwest Nazarene University David Chaplin Works Cited Acosta, Carlos. “What’s a Contender to do?” Web. October 26, 2009. Retrieved ffom www.eastsideboxing.com. Arp, Robert and Kevin Decker. “That Fatal Kiss”: Bond Ethics and the Objectification o f Women. South, James, and James Held. Eds. James Bond and Philosophy: Questions are Forever. Populär Culture and Philosophy Series. Chicago: Open Court Publishing Company, 2006. Print. Bosworth, Patricia. Montgomery Clift: A Biography. New York: Harcourt Brace Jovanovisch, 1978. Print. Capua, Michelangelo. Montgomery Clift: A Biography. Jefferson, N.C.: Mcfarland and Co., 2002. Print. Cohan, Steve. Masked Men: Masculinity and the Movies in the Fifties. Bloomington, Indiana: Indiana University Press, 1997. Print. Costello, Michael. The Search (Review). Answers.com. n.date freedictionary, the. http://www.theffeedictionary.com/epiphany. n.date